Category Archives: Music Videos

Video killed the radio star. Now they’re internet video stars.

Minus the Bear with the New Limb: Indie Spectacular

minus the bear the new limb ucsd price center san diego the indie sdEvery once in a while the ideal band combination comes around, and that moment has graced So Cal once again. On May 8th, The New Limb will be warming up the stage for headliners Minus the Bear, and it will be a match made in catchy-guitar-riff heaven!

Comprised of five musicians based out of California, The New Limb is kind of like an indie folk child if that child ran off and had a wonderfully adventurous affair with a rock star. With just the right amount of upbeat velocity and driving drum beats, coupled with an occasional penchant for electric riffs, this group creates one of those “sounds of the summer” — their mix tape INCONSISTENCIES boasts the kind of songs that can go on dance floors and on road trip playlists, alike. Most of the band members take turns tossing around vocals, seamlessly melding their voices in a chant one moment, or crooning over keyboards and tambourines in the next.

They’re quickly becoming a new favorite, and their sound is the perfect complement to Seattle-based Minus the Bear.

Related: Minus the Bear show review from the House of Blues

Definitely not new to the indie music scene, Minus the Bear has managed to amass a bit of a cult following, based partly on their unique sense of musicality, syncopated guitar melodies, and of course, lead singer Jake Snider’s famous affinity for serenading baby-making lyrics. But don’t let the sultry subject matter fool you — in the long haul, Minus the Bear is ready to get you on your feet and dancing, keeping the dynamics fun enough for a party, but mellow enough to simply enjoy the beautiful composition of it all.

You can check out both bands live on May 8th at the UCSD Price Center Ballroom, the biggest indoor venue on the campus. Tickets are available at the UCSD Price Center Box Office, and online at https://ucsdboxoffice.com/.

More Events: All Time Low, PYYRAMIDS, Cold War Kids and more…

Check out this latest animation video for Minus the Bear’s song “Listing”

More Videos: Interviews and latest singles from The Material, Carolina Liar and more…

 

Guilty Pleasure of the Week: Music, art and human canvases

The Red Paintings
String player performing with The Red Paintings (Photo credit: mystikeel)

Music and art have always been combined, and most people do it right. (read: local Beats and Brushes event hosted by RiPs Entertainment.) Psychedelic performance art rockers The Red Paintings do it with a flair that will keep your ears peeled and your eyes glued to the stage. Trust me when I say, you have never seen or heard anything like this.

That’s why our Guilty Pleasure of the Week segment is coming back with a bang in the form of this Australian, genre-bending, orchestral rock group. Fascination pretty much surrounds this music project, from the moment you listen to the music, to the story behind how lead singer and musical mastermind Trash McSweeney began his musical journey. One near-fatal seizure and many inspiring moments later, and The Red Paintings was born.

Gimmicky bands are sometimes a hit or a miss, but with this group the gimmick is simply artful, colorful, mesmerizing and sometimes downright acid-trip inducing entertainment. Woven around all of that creativity is a voice that isn’t quite perfect but manages to fit into the theme of the music completely. Add in the sweet yet ominous sounds of string instruments, which are usually included in their live ensemble as well, and The Red Paintings succeed in creating its own little Tim Burton-esque world.

The performance is theatrical, and sometimes over-obsessed with Alice in Wonderland, but the music is more than just a soundtrack to a play. McSweeney croons one moment and sears through his lyrics the next, as the dynamics of each song rise and fall like a tumultuous ocean. Still, beautiful pseudo-ballads such as “We Belong in the Sea” are just as alluring and can stand alone without the stage antics.

In essence, the entire package of The Red Paintings is perfect, complete with a big red bow on top.

This is the kind of music experience that is extremely fun to watch live, especially since the group adds in a real-time art collaboration featuring local artists at each of their tour destinations, and even occasionally including human canvasses.

Alright, now are you convinced? If you are, head over to the Griffin on Valentine’s Day (February 14th, in case you forgot), for The Red Paintings, Stone Horse, The Falling Doves and others.

El Ten Eleven, I’m officially mindblown

If you haven’t been to a show at the re-purposed church-turned-indie haven The Irenic in San Diego’s North Park, here’s the perfect opportunity to check it out. Instrumental duo El Ten Eleven will be there on November 17th, bringing with them their addictive, meticulously created musical masterpieces. Say that five times fast! Or don’t and instead check out this video. I’m instantly fan. Let me know what you think in the comments, or on our Facebook page!

Warped Pleasure of the Week: A party worth dying for

Maybe the rough yet melodic rockers of Funeral Party were on to something when they named their band; when you listen to the monotone yet searing vocals of Chad Elliott over the melodic and sometimes dance worthy riffs behind the music, it’s hard to tell whether it’s a funeral or a party. Perhaps these LA natives strive for both, and that’s what makes their music interesting to hear.

It’s easy to tell why they became a cult hit in their local neighborhood, but you have to give them props for catching the ear of Lars Stalfors, a producer who has worked with the likes of The Mars Volta, Juliette Lewis, and Reel Big Fish. Factor in their own decision to get dropped from predominantly pop-punk Fearless Records (they were later signed with Sony), and it’s now up to Funeral Party to not only prove they can hack it mainstream, but also convince us of their sound.

Pseudo-pop and ironic clashes of genres are the next big thing, making Funeral Party pretty damn catchy, despite the lack of melody in Elliott’s vocals. But I’m waiting to see if they can take the energy-driven garage show and put it in a package that will make Sony Music proud.

On a completely unrelated note, their website is probably one of the coolest I’ve ever seen. But what do you think? Would you see them at Warped?

Warped Pleasure of the Week: Dead Sara

It’s that time of year again boys and girls. Teenagers, PETA warriors, and one journalist-like, music loving blogger will be sweaty and dehydrated for the chance to see a handful of metal-core bands and one or two fairly awesome closers. But wait, don’t hate on Warped Tour just yet. I know it tends to be a biased music production, but with over 90 bands performing there is bound to be something for everyone — a few diamonds in the rough — which is why I’m highlighting some particularly shiny Guilty Pleasures of the Week for the rest of June.

I have to start with gruff, rough-around-the-edges rock group Dead Sara, because I have a weakness for female-fronted bands. And the first moment that I heard the unique vocals of Emily Armstrong part screaming, part singing over the powerful guitar riffs that are an ode to the nu metal style of the 90s, I was in love. Armstrong seems to channel the fiery rasp of Janis Joplin as she pours either pure emotion or raw energy (I can’t tell which one) into the lyrics “So go for the kill/’Cause no one else cares!” from the single “Weatherman”.

But don’t get me wrong, Armstrong is no Joplin. Armstrong is at times missing style and magnetism in her voice, causing some to say Dead Sara’s debut full length album as a whole falls a little flat.  Despite the huge growth spurt of the band, it’s probably going to be up to their live performances to convince audiences that they are definitely not a one-trick pony and have more to offer. (Just check out some of the meaningless heavy debate on the YouTube page for this video for more on how unconvinced a few people are.)

But… it is their first album. They are allowed a first album to put themselves out there and grow from here on out. Despite the lack of dynamic, I’m excited to see what they can pull out for their sophomore attempt. But what do you think? Do you think we’ll hear more from this band in the future?

Guilty Pleasure of the Week: I’ve got a girl crush on Kimbra

I’m pretty sure this counts as a girl crush. I daydream to this woman’s voice. I can’t stop listening to her lyrics! Though I have to admit, her accent is throwing me off and sometimes I have no idea what she’s saying. Who am I talking about? The lovely New Zealand talent Kimbra, that’s who.

Does she seem familiar? Perhaps you are one of the 48 million (and counting) who saw the famous video cover of Gotye’s “Somebody That I Used to Know”, also known as five people playing one guitar. I saw that video. And I didn’t stop there. No, then I had to look up the original video, then I had to Google search the vixen that stole my heart with her cool cropped hair and amazing voice.

And what I found was Kimbra, a twenty something, jazz-inspired, Nina-Simone-possessed sensation who just recently dropped some goods for America in the form of an EP. And I really hope she catches on because her talent is undeniable, her style is a fresh new interpretation of jazz, and her adorable personality is completely contagious.

You’re so welcome. Also, ten points to everyone who spots the Kid Coolout in the video. Ten more points if you actually know who Kid Coolout is.

Mraz: He’s like a fine wine…

I swear I’ll get back to San Diego musicians very soon. Besides, he might not be from SD, but he does live here and that counts for something right? Jason Mraz, in my opinion, just gets better with age and his latest single proves this point. Forget calling him a “pop” musician, forget Geek in the Pink and his other forays into whimsical, light-as-air fluffy songs. Just sit back and enjoy the beautiful lyrics and the near perfect delivery of melody in Mraz’s latest single, “I Won’t Give Up On Us.”

For folk and indie lovers, it’s probably going to please you. For others, you might need a little bit more convincing. But the single does prove that Mraz may be harvesting an even more mature sound, and it definitely works for him. What do you think about this new single? Are you expecting a great fourth album to come from this?

Streetside Sessions: Social Club

When we rolled a piano out onto the streets of San Diego with local band Social Club, we weren’t quite expecting what would happen next. These guys (and one gal) graciously offered to be the guinea pigs of Streetside Sessions, a video feature that you’re only going to get here on the Indie SD. At least, you’re mostly only going to get it here. You can always check out Social Club’s website to hear more from the amazingly catchy yet refreshing pop rock band, and try to catch a show or two since they’ve proven that it’s never a dull moment backstage with these guys.

Social Club opted to grace us with an acoustic performance of their song “Debris” and since it hasn’t quite been recorded yet, consider this an inside look into the beauty of the band. With an acoustic piano, bass, drum set, and acoustic guitar all out on the streets of San Diego, we shot this band with the backdrop of  downtown in the distance – complete with the international airport’s aircraft overhead — don’t miss Southwest Airlines’ free promotion – you’re welcome, SW!