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Atmosphere talks tour with Slightly Stoopid, ‘Bob Seger’

atmosphere rapper bob seger release san diego the indie sdThere are a slew of events this week hoping to catch the attention of San Diego locals and tourist alike; however, none have the same esteem as this Saturday’s tour stop with Slightly Stoopid and Atmosphere. Here, we got the chance to talk with Atmosphere about their music, how they view the industry as a whole, and what we can expect from the always adept and insightful indie hip hop group.

The answers may surprise you, if you’re not a behind-the-scenes kind of person and haven’t already learned personal details about the group. DJ/producer Ant (Anthony Davis) has been described as a melody aficionado, who keeps the music true to Atmosphere’s style without letting the act become stale or redundant. The other half of this duo, rapper Slug (Sean Daley), according to Billboard.com has “polarized the indie rap underground”; words that create really big shoes to walk in.

But the group fits those shoes and struts in them, and they do it with a “swagger” that is nothing like what you expect from the pop/rap machines evolving today; instead, their music breeds curiosity, character, and lyrical intrigue from their fans, making Atmosphere at many times a great hip hop storyteller.

Surprisingly, Slug offers a little humor and possibly a tinge of sarcasm in his responses, showing either a playful side, or maybe a slightly exasperated view of the music industry. Perhaps the contents of their currently untitled 2013 release will offer the whole story, since in my opinion, his rhymes speaks much louder than his words. And in the hip hop world, that can definitely be a good thing.

But, all that being said, if you are curious to read those words, take a tiny peak inside the mind of Atmosphere with the full interview below.

TheIndieSD: How is the tour going with Slightly Stoopid? Any favorite cities so far?

So far it’s been absolutely great. Slightly Stoopid are great dudes, and they have an amazing crew. I don’t really do the favorite city thing. But for the sake of your piece, let’s say that San Diego is the greatest city in the galaxy.

TISD: Atmosphere has been known as a heavily touring act. Do you prefer being on the road or being in the studio?

I have a healthy love for both the studio and the road. If I had to choose one, I’d choose the studio. I like watching the birth of songs.

TISD: What can your fans expect from your tour experience this year that may be different than previous tours?

Full frontal.

TISD: There are a lot of bigger venues on the Kickin Up Dust Tour. With these big venues, do you get moments to meet and connect with a few fans?

Not as much as I am accustomed to. But yes, there are moments of personal connection. Once I discover how to be in multiple places at once, I’ll be better equipped to meet as many people as possible.

TISD: Tell me about the mood behind your latest single, “Bob Seger”. (Which is my latest favorite thing, by the way.)

This song’s mood = Moon buzz.

TISD: You’ve explored many different phases of writing styles throughout all of Atmosphere’s releases. Can fans expect to hear previous themes and moods on the new album?

I’m not a fan of expectations. So I’m not really sure how to answer this. I suppose you could expect some sarcasm. Maybe a little bit of wrestling with insecurities. A touch of preachiness.

TISD: What goes through your mind when you’re writing?

Coffee.

TISD: In the past, you’ve mentioned reservations on expressing your opinions in your lyrics. Do you still feel that way? Do you write as a way to release or share your emotions?

I don’t remember ever mentioning that, but I fully believe you. I mostly write for fun. To make Anthony and myself laugh and react.

TISD: “Mainstream” rap has changed drastically, but groups and artists such as Atmosphere are still creating music independently with deep hip hop roots. In your opinion, has hip hop changed or is it the same, just not as “commercial” anymore?

In my faulty opinion, it’s the same as it ever was. As long as older people are scared of rap, rap is doing fine.

TISD: If there was one thing you could change about the music industry, what would it be?

I don’t care enough about the music industry to try to change it. We will do what we love regardless of what this industry does. However, with that said, speaking solely for myself, if I could change something, I would make it mandatory for everyone to stop wearing cologne and perfume.

TISD: What genres does Atmosphere pull inspiration from? What artists or songs can be found on your personal playlists?

Willie Nelson and Tom Waits.

TISD: On your Facebook, you updated with “No rapper needs to write about the struggles of being a rapper.” Interesting and profound quote! Is there any story behind this line?

No story. Rappers who rap to other rappers about how hard it is to be a rapper should stop rapping.

Straight to the point. Check out Atmosphere live this Saturday at the Sleep Train Amphitheater, and also hear their latest single, “Bob Seger” (which is also available on iTunes) below. Let me know what you think in the comments!

Little Hurricane, Big Sound

little_hurrican_the_indie_sd_pressThey say word of mouth is an amazing marketing tool. That could be proven true for Little Hurricane, since I knew about this group well before I ever heard a sound. San Diego’s bluesy indie darling has been making waves since 2010, and in that short time they’ve managed to carry out the near impossible: they’ve forged a path for their band that turned Little Hurricane into a large force to be admired.

Some people in the San Diego music scene might say that finding musicians on Craigslist just doesn’t work. Try and tell that to lead singer Anthony Catalano and drummer C.C. Spina. According to their Wikipedia page, that’s exactly how the duo got its humble beginnings, and just by taking a listen to the result, one could argue that it was fate. Fans of The Black Keys, The Dead Weather, and The Lumineers will absolutely adore the edgy, almost angsty approach to blues and folk that Little Hurricane has become synonymous for. Catalano pours his heart out in lyrics and style alike, with a voice that has mastered just the right amount of rasp. Spina is the perfect piece of the puzzle, and her eerily soothing vocals shine in duet style tracks like “Crocodile Tears” and “Give Em Hell”.

Related: Another San Diego star, Social Club

Their 2012 album Homewrecker lives up to its dramatic title, as it has the kind of music that will dilate your pupils and send goosebumps across your skin in the best way possible! Full of energy, intrigue, and even a little seduction, the songs are all unique enough to keep you entertained from beginning to end, yet can be intertwined into one mesmerizing bluesy story. Don’t believe me? I dare you to take the Little Hurricane challenge and listen (if you haven’t already), to see if a storm hasn’t grown inside of you by the last track. “Give Em Hell” is the perfect melodramatic conclusion to the album; the song is ominously uplifting, like the perfect villain’s soundtrack. Spina croons behind Anthony Catalano like the little voice in your ear or the little devil on your shoulder. This final track seems to wrap up the consciousness of the entire album with perfection.

I haven’t seen this band live — yet — but if their fan base is a testament to how amazing they are, then I’d bet money that Little Hurricane delivers when they’re on stage, as well. They’re now on tour, so check them out at the Belly Up this Friday May 31st in San Diego, or at any of their other tour dates.

Also at the Belly Up this Week: Trouble in the Wind

As an added treat, you can download a free mp3 via their website. Check out the video for “Haunted Heart” below.

Indie’s Best Kept Secrets: Social Club

socialclub gamma rays san diego indie rock the indie sdEvery location, every situation, every scene has a “Best Kept Secret“. This past week, a friend said something to me that inspired the idea for this new feature. Each week, I’m going to showcase an extraordinary musician or band that is already doing big and amazing things with their craft. There are superstars in our very own backyard and we might not know it yet. Don’t worry, I’ll keep you in the loop, starting with the indie rock quartet Social Club.

I can still remember the day my mother gave me Coldplay’s Parachutes for Christmas.I remember squinting at the CD and thinking “Who is this?” The same could be said for Maroon 5’s Songs About Jane. Those were my first interactions with bands who would turn out to be amazing forces in the music industry. Everybody has a start, and just like the humble beginnings and initial “ah ha!” moments from those acts, San Diego has a few musicians who could inspire similar feelings of revelation. Little did I know, Parachutes was going to be a this-album-will-change-your-life kind of moment, and Songs About Jane is still a staple on my playlists to this day.

With that kind of introduction, enter So Cal rockers Social Club, the first band that I will feature in this series. When I heard their music over a year ago, I already knew that they were more than just talent. They had the kind of star power and energy that captivates you from the first listen. And in that short year, Social Club has managed to only further perfect their unique take on indie pop rock fusion, as seen on their debut album Gamma Rays. The smart rhythm sensibilities of drummer Jeff Litzman pulls the elements of the band together seamlessly; attention to detail soars through keyboardist Thea Tochihara and bassist James Spratley is right in step with the rhythm, driving the songs forward in an energy that is both listenable and danceable. (And yes, I said listenable. It’s a word and it highly applies in this case!)

Related: Sidewalk Serenades with Social Club

Add in lead vocals from John Levan, who sweetly croons in his upper register one moment while belting his heart out in the next, and you have a combination that I like to call sultry. Sultry is my absolute favorite quality in music, by the way. And Social Club is dripping with sultry goodness.

Their musicianship translates so well live that if you weren’t watching their instruments you’d swear they were playing the CD. And in this day and age, a band is only worth as much as it weighs live. Believe me, Social Club will not only command a stage, but also sound very good while doing it.

I would say I’m biased because I’ve had the chance to get to know these musicians over the past year, but I’m not the only one who sees and hears their talent. They were recently the winners of the MOFILM Texas competition, which sent them VIP style to headline an event at the South by Southwest Music Festival. But commendations aside, the music speaks for itself. Take a listen to Gamma Rays, available on iTunes, Amazon, and GooglePlay. Plus, you can get a free download of their single, “Slow Motion” via their website.

Check out this video for their song “Loosen Up”, produced by Helium Films USA.

Minus the Bear with the New Limb: Indie Spectacular

minus the bear the new limb ucsd price center san diego the indie sdEvery once in a while the ideal band combination comes around, and that moment has graced So Cal once again. On May 8th, The New Limb will be warming up the stage for headliners Minus the Bear, and it will be a match made in catchy-guitar-riff heaven!

Comprised of five musicians based out of California, The New Limb is kind of like an indie folk child if that child ran off and had a wonderfully adventurous affair with a rock star. With just the right amount of upbeat velocity and driving drum beats, coupled with an occasional penchant for electric riffs, this group creates one of those “sounds of the summer” — their mix tape INCONSISTENCIES boasts the kind of songs that can go on dance floors and on road trip playlists, alike. Most of the band members take turns tossing around vocals, seamlessly melding their voices in a chant one moment, or crooning over keyboards and tambourines in the next.

They’re quickly becoming a new favorite, and their sound is the perfect complement to Seattle-based Minus the Bear.

Related: Minus the Bear show review from the House of Blues

Definitely not new to the indie music scene, Minus the Bear has managed to amass a bit of a cult following, based partly on their unique sense of musicality, syncopated guitar melodies, and of course, lead singer Jake Snider’s famous affinity for serenading baby-making lyrics. But don’t let the sultry subject matter fool you — in the long haul, Minus the Bear is ready to get you on your feet and dancing, keeping the dynamics fun enough for a party, but mellow enough to simply enjoy the beautiful composition of it all.

You can check out both bands live on May 8th at the UCSD Price Center Ballroom, the biggest indoor venue on the campus. Tickets are available at the UCSD Price Center Box Office, and online at https://ucsdboxoffice.com/.

More Events: All Time Low, PYYRAMIDS, Cold War Kids and more…

Check out this latest animation video for Minus the Bear’s song “Listing”

More Videos: Interviews and latest singles from The Material, Carolina Liar and more…

 

Video: The Material talks keeping rock alive on new album

the material the indie sd san diego soda bar paramore kyle black colleen dagostino
The Material’s lead singer Colleen gives it her all each time she’s on stage.

In a sea of rock bands that are constantly pushing the line closer to pop, The Material prove that they’re here to stay in the alternative game. Being an independent band hasn’t stopped these San Diego locals from performing with the likes of Jimmy Eat World and My American Heart, and as I can tell from the interview we had at their CD release show earlier this month, it’s obvious that there’s even more rocking moments in store for them. They discussed everything about their new album, the interesting process of going into the studio and almost rewriting all of their songs, and what we can expect from them later on this year.

The entire band sat down with me at Soda Bar in San Diego and after comfortably taking up a whole booth, it was easy to see that this group of musicians has little to no problems working together. Colleen D’Agostino, the searing female vocals behind the Material’s music, had just the same edge as her male band mates, holding her own next to the guys as they discussed some of their experiences in the studio.

Guitarist John started off first, being very open and bright-eyed when he discussed some of the song writing and production processes of their latest album, Everything I Want to Say.

the material indie rock pop rock san diego soda bar the indie sd
Guitarist Roy performing at Soda Bar
the material indie rock pop rock san diego soda bar the indie sd
The Material bassist Jordan performing at Soda Bar

“Our previous producer, [Brian Grider], was San Diego based, … and we did our first few records with him.” John was referring to the Material’s freshman and sophomore  releases, Tomorrow and full-length What We Are, respectively. “He’s super meticulous, super talented, and it was very production heavy, … adding strings, adding synths, adding electric drums.” But anyone who compares the album What We Are with the latest release can probably pick up on a braver approach to their rock sound. John continues to say, “This record [Everything I Want to Say] we did with our friend Kyle Black, … and he came in to do pre-production with us which was the first time we’d ever done that. We had all these songs we thought were done and he came in and started switching everything up.”

It was a process that attempted to throw the five musicians for a loop, but paid off in the end with what could easily be described as a well-rounded, energetic, and rock-heavy album that offers versatility in each song. The Material succeeded in avoiding the dreaded “rock riff” curse of creating a handful of songs that all sound like one another — instead, they were able to do re-writes that gave each song a unique and palatable sound to the ear.

Lead singer Colleen explains that it wasn’t necessarily an easy task. “We just spent six months perfecting this song, we’re not changing it. But ultimately we realized [producer Kyle Black] wants the song to be just as good as we do. Thinking back we’re definitely really happy we listened to him.”

The group was in good hands, since Kyle Black has previously worked with Paramore, All Time Low, and Neon Trees, with most of those groups coming back for more. I asked the band if they planned to continue on the Road to Rock, or veer into the pop sound that many artists have defaulted to in this age, and John notes once again that their powerful rock sound is here to stay.

Related: All Time Low at SOMA Sidestage May 10th -11th

“With Dave Grohl putting out the Sound City documentary, it’s super inspiring to be like, ‘let’s just go and sound like five people playing in a room together.'” John says, after the group saw the lead singer of the Foo Fighters speak at his conference at South by Southwest.

Related: There goes my hero…He’s kind of a rock god.

Colleen adds that even though she came from a pop background, it’s inspiring to have a concrete sound and direction for the group. “Every album that we’ve done until now has been kind of straddling the rock and the pop thing.” She adds that her electronic side project, With Beating Hearts, gives her the opportunity to taste the best of both musical worlds. “I’m kind of channeling the pop/electronic stuff in that direction so I can allow myself to just focus on rock in [the Material].”

The Material is more focused than ever, and they rounded up a rambunctious group of fans and followers at their Soda Bar CD release show earlier this month. The crowd eagerly head-banged along with Colleen and the band as they played songs from their new album. The energetic force of a band this size is just a heavy reminder not to underestimate the power of the indie band. As Colleen told me that night, “We’re all on board to do something big and different and amazing.” And amazing it shall be!

More Videos: Carolina Liar at the Griffin

Keep checking the Material’s main site and Facebook page for an upcoming music video for their latest release, Everything I Want to Say! The album is available now on CD and iTunes.

Video by Roman Arriola for SnowGlobe Studios. Follow Snowglobe Studios on Instagram, Vimeo, and Twitter.

Guilty Pleasure of the Week: Music, art and human canvases

The Red Paintings
String player performing with The Red Paintings (Photo credit: mystikeel)

Music and art have always been combined, and most people do it right. (read: local Beats and Brushes event hosted by RiPs Entertainment.) Psychedelic performance art rockers The Red Paintings do it with a flair that will keep your ears peeled and your eyes glued to the stage. Trust me when I say, you have never seen or heard anything like this.

That’s why our Guilty Pleasure of the Week segment is coming back with a bang in the form of this Australian, genre-bending, orchestral rock group. Fascination pretty much surrounds this music project, from the moment you listen to the music, to the story behind how lead singer and musical mastermind Trash McSweeney began his musical journey. One near-fatal seizure and many inspiring moments later, and The Red Paintings was born.

Gimmicky bands are sometimes a hit or a miss, but with this group the gimmick is simply artful, colorful, mesmerizing and sometimes downright acid-trip inducing entertainment. Woven around all of that creativity is a voice that isn’t quite perfect but manages to fit into the theme of the music completely. Add in the sweet yet ominous sounds of string instruments, which are usually included in their live ensemble as well, and The Red Paintings succeed in creating its own little Tim Burton-esque world.

The performance is theatrical, and sometimes over-obsessed with Alice in Wonderland, but the music is more than just a soundtrack to a play. McSweeney croons one moment and sears through his lyrics the next, as the dynamics of each song rise and fall like a tumultuous ocean. Still, beautiful pseudo-ballads such as “We Belong in the Sea” are just as alluring and can stand alone without the stage antics.

In essence, the entire package of The Red Paintings is perfect, complete with a big red bow on top.

This is the kind of music experience that is extremely fun to watch live, especially since the group adds in a real-time art collaboration featuring local artists at each of their tour destinations, and even occasionally including human canvasses.

Alright, now are you convinced? If you are, head over to the Griffin on Valentine’s Day (February 14th, in case you forgot), for The Red Paintings, Stone Horse, The Falling Doves and others.

El Ten Eleven, I’m officially mindblown

If you haven’t been to a show at the re-purposed church-turned-indie haven The Irenic in San Diego’s North Park, here’s the perfect opportunity to check it out. Instrumental duo El Ten Eleven will be there on November 17th, bringing with them their addictive, meticulously created musical masterpieces. Say that five times fast! Or don’t and instead check out this video. I’m instantly fan. Let me know what you think in the comments, or on our Facebook page!

Hoopties, the Hollywood Bowl, and one rockin’ Liar

I got the chance to sit down with Chad Wolf of Carolina Liar, and I don’t think it’s possible for this guy to have a boring tour story. Chad, along with band mates Rickard and Johan, have seen it all: from hoopties to out of control Midwest parties, the famous Hollywood Bowl, and of course, an amazing city called San Diego.

You know an interview is getting off on the right foot when someone starts quoting Anchorman, and that’s exactly what happened when I asked Chad the very first question. He had nothing but glowing reviews for San Diego and the Griffin (Oh Mr. Wolf, flattery will get you everywhere and SD loves her compliments), and he reminisced about some of the most exciting moments that the band has had in other cities. Another notable tour stop on his list? Apparently, the Midwest. Chad noted that despite seeming like it should be a calm atmosphere, going to Kansas City is like “going to Vegas in the middle of the Midwest.” The lead singer told a hilarious story about one bar in particular:

“People just get crazy! The first time we played in Kansas City, we ended up in a bar … and it just turned into this full on free for all of just people and just madness. I remember reaching down to tap the waitress who was helping us out that night and she just grabs my face and starts making out with me. People were spraying water all over, it was turning into a wet t-shirt contest … and we were all just kind of looking at each other like ‘What is going on in this place?’ And Kansas from that point on has always been absolutely just crazy. One of our favorite places to play of course.”

The guys of Carolina Liar have even more miles on their agenda this year, including opening for Kelly Clarkson and the Fray. The band had just played at the Hollywood Bowl the previous night, and lead singer Chad was still glowing from the iconic experience. “The energy when you walk out [on stage], you just get the goosebumps,” he said about the famous landmark, which has welcomed artists like the Beatles and Aretha Franklin. “As you’re walking closer and closer to the front of the stage, you just feel the chills from the whole thing. It was amazing.”

The band is having a lot of fun playing songs from their latest album, Wild Blessed Freedom, (and of course sprinkling in tunes from their first album), and talking with Chad made me realize how much of an uphill battle it’s been for the group. Knowing the hard work and dedication that goes behind music can really add an appreciation to it, and that’s no exception for Carolina Liar. The group split amicably with Atlantic Records and decided to release their second album on their own label, and Chad mentioned it’s been a learning experience. “The difference between working for a major [label] and then working for yourself is the amount of time…things take.” But the group is pulling through it, and Chad stated that almost a year later, “now, this record is starting to get it’s own little motor behind it. It’s a wild ride.”

The album, which definitely touches on everything from power pop ballads to punchy, lyrical rhythms, has a mainstream sound that temporarily painted a very One Tree Hill-ish atmosphere inside the Griffin, which is actually a lot cooler than it sounds on paper. And each song, as the lead singer stated, has “it’s own little story.” Most of the songs seem to be a product of pure inspiration, teamwork, and….Thin Lizzy. “[Rick] and I were listening to Thin Lizzy like crazy at the time. No matter when or where we were at, it was all Thin Lizzy, all day long.” Take all of that into consideration, and you get this well-oiled ready to rock machine with songs that are both honest and ready for the radio.

If you want to hear even more about Chad and the rest of Carolina Liar’s experiences in San Diego, check out the video above! And if you’re not in San Diego, don’t miss these guys during one of their tour stops with Kelly Clarkson and the Fray.

Warped Interviews: Tonight, we are Alive!

Meet Australian pop rockers Tonight Alive, Warped Tour’s resident “foreign exchange students” as one guy enthusiastically yelled out before their interview, during their stop in San Diego, CA. I got to sit down with Jenna McDougall and Whakaio Taahi and discuss everything from their experience so far on Warped, to their first full length album, What Are You So Scared Of? For a band that is barely graduating from their freshman year in the game, Tonight Alive is quickly making a name for themselves and putting a few of the seniors in their place, too. But that doesn’t mean they can’t be the most humble, down to earth people from down under. And….. cue the unison “awww”!

Being a ‘female-fronted band’ in a typically perceived man’s world, Jenna and Whakaio had wise words to say about their music and the bands that share this rather broad category with them. Some people may argue that it’s easier or more difficult for a female-fronted band, but lead singer Jenna notes that Tonight Alive have had no special treatment, and “if you’re doing it right, it’s as hard as it is for everyone else.” Whakaio further adds that he doesn’t see the group as being a female-fronted band. “The thing about Jenna,” he states, “is it’s not because she’s female, it’s because she’s talented as a songwriter and as a vocalist.”

Talent is the first factor that catches your eyes (and ears) when listening to Tonight Alive. Another trait that is hard to ignore is how seasoned the band seems, even though they currently have released only one full length album. Whakaio accredits this to the band touring with each other for over 2 years now, making them a tight-knit group. Even so, Warped Tour is a whole other world and it’s obvious that the band is still riding on cloud nine. Whakaio adds that “It’s been two weeks and still it hasn’t worn off that we’re in this thing finally.”

Jenna’s face lights up when she mentions how excited she’s been for the entire experience and the fans that come out to the shows. “It’s nice to know that the people that are standing in front of us when we play are not waiting for the band that’s coming on next,” says Jenna, and she’s got a good point. For a freshman band to attract so much attention while on a tour with over 90 other musicians, I must say, it’s impressive.

The band has obviously put a lot of thought into their tours, their performances and their music, as Jenna and Whakaio describe the feelings behind their album, What Are You So Scared Of? Jenna states the album’s theme is a number of things, but mainly it hopes to ask others the question, “what’s holding you back?” For a first album, the idea of facing your fears head-on seems like the perfect theme. Whakaio adds that he wanted to “help those people that are…searching for something.” with Jenna adding in to “take chances.”

Maybe that’s why the album has been quite popular. It sounds like YOLO, only smarter and a little more relatable. And I’m loving that. What do you think?

Another reason why I like this band? They signed that poster that we’re giving away on the site! If you’re interested in winning it, make sure you check out the giveaways section.

Warped Pleasure of the Week: A party worth dying for

Maybe the rough yet melodic rockers of Funeral Party were on to something when they named their band; when you listen to the monotone yet searing vocals of Chad Elliott over the melodic and sometimes dance worthy riffs behind the music, it’s hard to tell whether it’s a funeral or a party. Perhaps these LA natives strive for both, and that’s what makes their music interesting to hear.

It’s easy to tell why they became a cult hit in their local neighborhood, but you have to give them props for catching the ear of Lars Stalfors, a producer who has worked with the likes of The Mars Volta, Juliette Lewis, and Reel Big Fish. Factor in their own decision to get dropped from predominantly pop-punk Fearless Records (they were later signed with Sony), and it’s now up to Funeral Party to not only prove they can hack it mainstream, but also convince us of their sound.

Pseudo-pop and ironic clashes of genres are the next big thing, making Funeral Party pretty damn catchy, despite the lack of melody in Elliott’s vocals. But I’m waiting to see if they can take the energy-driven garage show and put it in a package that will make Sony Music proud.

On a completely unrelated note, their website is probably one of the coolest I’ve ever seen. But what do you think? Would you see them at Warped?