Category Archives: Interviews

Pepper 2.0 is almost here!

Yesod Williams of Pepper
Yesod Williams of Pepper (Photo credit: rob_moody)

Yesod Williams dishes on new album, tour with Cypress Hill. Good news boys, girls, Rastafarians, islanders, and party people. If you’ve been anticipating some new music from Pepper, then you may just be in luck this year. Fresh off their tour with Sublime with Rome and the legendary Cypress Hill, the Hawaii natives turned San Diego locals of Pepper are ready for “Pepper 2.0”, as they call it, and they’ve got a lot in store for you.

So if you didn’t get to see them on theirn tour stops in 2012, which included the Chula Vista Cricket Wireless Amphitheater where I met up and spoke with drummer Yesod Williams, then don’t fret! Because odds are your fall music forecast is about to get a little spicy. I can tell you from experience that Williams, bassist Bret Bollinger and vocalist/guitarist Kaleo Wassman never disappoint, and their rowdy live attitude is just as zesty as their band name.

Their southern Cali show got off to a bit of a rocky start as they were waiting nervously for the arrival of their bassist Bret, but lucky for them they were on tour with some of the nicest guys in the business.

“The craziest thing was today, Brett almost didn’t make the show.” Williams told me, when I asked him to divulge in any interesting stories from their tour so far. “Kaleo was teaching Rome [from Sublime with Rome] bass lines so that he could step in.” Which might have confused Pepper and Sublime with Rome fans just a bit, but definitely would have been an interesting story to tell.

Fortunately the mini disaster was diverted, Bollinger arrived minutes before their start time, the guys played a raging set that proved that even the oldest people in the audience could get up on their feet and dance, and I spoke with Yesod Williams backstage after all was sang and done. Williams dished on how the tour with Sublime with Rome and Cypress Hill was going, and he had all glowing reviews.

“I remember when ‘Hits from the Bong’ came out, I sat in my room with the tape and listened to it and stopped it and rewound it and wrote down all the lyrics for it.” Williams practically gushes over extraordinary act Cypress Hill (who, by the way, should be a must see if you haven’t seen them live already!) “And everyone’s so nice. There’s no hierarchies out here.” Williams even explained that “one of the Sublime crew guys is about to give me a tattoo on the back of my calf.” I had to commend all three Pepper members on their amazing hospitality — they really knew how to make a girl feel at home — so it’s easy to believe that the three bands rounded out a big, warm tour-family experience.

Bassist Bret Bollinger got away with being late this time, since the guys are now San Diego natives who also happen to really love this city. “San Diego’s definitely our second home. We started the band of course in Kona [Hawaii] where we’re from, and then we moved over here in ’99 and we didn’t know anything.” Williams said. “It was one of those things where we almost got raised in San Diego, as far as our music career goes.”

And their favorite Mexican food in San Diego? “It’s not open anymore, but there was a place in Oceanside called To’s, and it also kept us alive. When we first moved to California we had no money, but they had these really cheap bean burritos that we would order an extra tortilla with and it would basically feed us for two or three days.”

I was most anxious to get the details on future Pepper releases, especially because it has been nearly four years since the guys had a new release. “Everyone don’t worry!” Said Williams, already beaming with enthusiasm. “I promise to God that Pepper is going to have a new album.” It’s obvious that Williams is ready for some fresh blood, as he lamented, “It drives me crazy! I sometimes wake up at night like ‘God we have no new songs to play.'” — which may have been why the band opted out of playing their mainstream success “Give It Up” during their San Diego performance.

The trio is working with talented and diverse Matt Wallace (whom Williams affectionately called Matt Walrus), a producer who has dabbled in everything from Spin Doctors to Deftones to Faith No More, a real favorite of Pepper. Williams assured me that the album will be out “sooner rather than later”, since Pepper has been taking most of the year to work on this release.

When a band puts that much dedication into a recording, you know it’s going to have the attention to detail that is appreciated and loved by old fans and new fans alike. If you’re already familiar with Pepper, you may remember a really unique 3D tour video release created for the song “Drunk Girl“, on their 2010 EP Stitches — which even came complete with throwback red and blue based 3D glasses. (I still have my 3D Pepper glasses!)

Me, hanging with Pepper (from right: Yesod, Bret, Kaleo, and friend.)

“That was in 2010, we released the EP Stitches, and we went into it with the intention of making a full album. We got in [the studio], and were like….’I think four of these songs are ready, the rest aren’t.'” Now those additional songs are polished, and they are going on the new Pepper release that’s currently “95 to 98% done” according to Williams. “It’s so refreshing to have a new song to play.”

“When the new album comes out, we’re going to be hitting it hard.” Says Williams; but don’t worry, a band like Pepper is not all work and no play. “Making music and having fun is the main thing.” Williams adds, rounding out the idea that a brand new tour with brand new songs — and brand new rowdy experiences — is going to be the highlight of Pepper’s 2013.

(originally posted September 13, 2012.)

Video: The Material talks keeping rock alive on new album

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The Material’s lead singer Colleen gives it her all each time she’s on stage.

In a sea of rock bands that are constantly pushing the line closer to pop, The Material prove that they’re here to stay in the alternative game. Being an independent band hasn’t stopped these San Diego locals from performing with the likes of Jimmy Eat World and My American Heart, and as I can tell from the interview we had at their CD release show earlier this month, it’s obvious that there’s even more rocking moments in store for them. They discussed everything about their new album, the interesting process of going into the studio and almost rewriting all of their songs, and what we can expect from them later on this year.

The entire band sat down with me at Soda Bar in San Diego and after comfortably taking up a whole booth, it was easy to see that this group of musicians has little to no problems working together. Colleen D’Agostino, the searing female vocals behind the Material’s music, had just the same edge as her male band mates, holding her own next to the guys as they discussed some of their experiences in the studio.

Guitarist John started off first, being very open and bright-eyed when he discussed some of the song writing and production processes of their latest album, Everything I Want to Say.

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Guitarist Roy performing at Soda Bar
the material indie rock pop rock san diego soda bar the indie sd
The Material bassist Jordan performing at Soda Bar

“Our previous producer, [Brian Grider], was San Diego based, … and we did our first few records with him.” John was referring to the Material’s freshman and sophomore  releases, Tomorrow and full-length What We Are, respectively. “He’s super meticulous, super talented, and it was very production heavy, … adding strings, adding synths, adding electric drums.” But anyone who compares the album What We Are with the latest release can probably pick up on a braver approach to their rock sound. John continues to say, “This record [Everything I Want to Say] we did with our friend Kyle Black, … and he came in to do pre-production with us which was the first time we’d ever done that. We had all these songs we thought were done and he came in and started switching everything up.”

It was a process that attempted to throw the five musicians for a loop, but paid off in the end with what could easily be described as a well-rounded, energetic, and rock-heavy album that offers versatility in each song. The Material succeeded in avoiding the dreaded “rock riff” curse of creating a handful of songs that all sound like one another — instead, they were able to do re-writes that gave each song a unique and palatable sound to the ear.

Lead singer Colleen explains that it wasn’t necessarily an easy task. “We just spent six months perfecting this song, we’re not changing it. But ultimately we realized [producer Kyle Black] wants the song to be just as good as we do. Thinking back we’re definitely really happy we listened to him.”

The group was in good hands, since Kyle Black has previously worked with Paramore, All Time Low, and Neon Trees, with most of those groups coming back for more. I asked the band if they planned to continue on the Road to Rock, or veer into the pop sound that many artists have defaulted to in this age, and John notes once again that their powerful rock sound is here to stay.

Related: All Time Low at SOMA Sidestage May 10th -11th

“With Dave Grohl putting out the Sound City documentary, it’s super inspiring to be like, ‘let’s just go and sound like five people playing in a room together.'” John says, after the group saw the lead singer of the Foo Fighters speak at his conference at South by Southwest.

Related: There goes my hero…He’s kind of a rock god.

Colleen adds that even though she came from a pop background, it’s inspiring to have a concrete sound and direction for the group. “Every album that we’ve done until now has been kind of straddling the rock and the pop thing.” She adds that her electronic side project, With Beating Hearts, gives her the opportunity to taste the best of both musical worlds. “I’m kind of channeling the pop/electronic stuff in that direction so I can allow myself to just focus on rock in [the Material].”

The Material is more focused than ever, and they rounded up a rambunctious group of fans and followers at their Soda Bar CD release show earlier this month. The crowd eagerly head-banged along with Colleen and the band as they played songs from their new album. The energetic force of a band this size is just a heavy reminder not to underestimate the power of the indie band. As Colleen told me that night, “We’re all on board to do something big and different and amazing.” And amazing it shall be!

More Videos: Carolina Liar at the Griffin

Keep checking the Material’s main site and Facebook page for an upcoming music video for their latest release, Everything I Want to Say! The album is available now on CD and iTunes.

Video by Roman Arriola for SnowGlobe Studios. Follow Snowglobe Studios on Instagram, Vimeo, and Twitter.

Minus the Bear, add the House of Blues, equals one impressive show

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Minus the Bear at the House of Blues, San Diego. Photo courtesy House of Blues FB Page.

Imagine an intergalactic spaceship has crash landed in the middle of the House of Blues, and there in front of you are five out of this world dudes, emerging from the lights of their ship and the smoke of the crash, holding instruments and ready to rock out. At some point, one of them has to say “I will sing you the song of my people”, only it’s not an internet meme, it’s Minus the Bear.

That is how I can accurately describe the show that took place on Sunday. Lead singer Jake Snider barely revealed himself from the dense fog that clouded the stage before he started singing the first note of their first song. The lights behind the band created a surreal, warm halo of light that truly made me think the five musicians were some sort of rock-music spacemen. It was, for all intents and purposes, the perfect setting for the sounds of Minus the Bear.

Just as the band made their way to California, I got the chance to speak with keyboardist Alex Rose on the phone. In addition to spilling his love for partying at the Casbah, Rose spoke about the tour, the process behind their new album Infinity Overhead and the possible future of Minus the Bear on the top of the charts.

theIndie: Minus the Bear has done a great job at maturing your music while still staying true to your unique sound. How does the band approach recording when you’re in the studio?

Alex Rose: “There was this sort of idea where Omni was us getting out of our comfort zone and…taking a little detour, and Infinity Overhead was getting back to the natural progression, getting back to working with our ex-member and long time friend Matt Bayles.”

theIndie: You previously worked with Joe Chiccarelli on Omni in 2010. Any particular reason why the band went back with Matt Bayles for this album?

AR: “We’ve worked with him on many albums and are comfortable with him. We all had a great experience with Joe and we learned a lot, and Matt’s learned a lot over the past five years since Planet of Ice. I think it was helpful to have someone who understands all of our personalities, and we could just kind of hit the ground running.”

theIndie: How have you been enjoying the tour with Cursive?

AR: “When you go on tour you want to make sure you have some solid homies around! When you acquire all these friends all over the country and sometimes all over the world, it’s nice to say ‘hey, for these six or seven weeks, we’re going to be hanging out everyday’. It’s great.”

theIndie: Minus the Bear has a reputation for selling out Pomona shows. Are you excited about the reception there?

AR: “It’s always a blast to play there. In addition to doing an L.A. show, it’s always nice to play Pomona. I prefer packing out the smaller venue.”
theIndie: I’ve noticed that Minus the Bear tends to feature songs that balance between love and tragedy. Do you agree?

AR: “Definitely, especially the newer ones. I think you’re right on the newer stuff.”

theIndie: So the band must be taking lead singer Jake Snider’s lyrics into perspective when creating your songs?

AR: “You would think, but a lot of times we will do the music first. So I’m sure [Jake] takes the music into consideration when writing. On ‘Lonely Gun’ for instance, we hadn’t heard the vocals until we basically recorded the whole song, and it was interesting to see that come together last minute. The band’s been working this way for awhile, it’s kind of always been music first. It kind of happens from the music up.”

theIndie: How much of a hand did you have in creating the story and the video for your single ‘Steel and Blood’?

AR: “Steel and Blood is talking about the volatile nature of relationships, not necessarily physically but just sort of emotionally. The director, Dan Brown, kind of went with that. We had some input on the ending, there were different options, and we made the decision to leave it a little open ended.”

Minus the Bear’s official music video for ‘Steel and Blood’.

theIndie: Infinity Overhead hit #31 on the Billboard charts, and both this album and your last album performed well on the Indie charts. Would it be in your interests to dominate the major Billboard charts in the future?

AR: “We don’t have sales goals, I think we just want to reach as many people as we can. And keep making interesting music that excites us and hopefully our fans will come on the journey with us.”

Well, this fan will come along; bags packed, ready for the journey. Minus the Bear is currently on tour, making their way to a homecoming show in Seattle, Washington. For more tour dates, check out their official site.

Mercies is ‘indie beach-core forest-pop’ and we love it.

Mercies the Ballet EP The Indie SDThis is the kind of band that can jump between creating inspiring, dreamy and sometimes folky songs and composing modern instrumental pieces for a ballet. Yes, a ballet! I’m talking about indie rockers, Mercies, and when this trio of multi-instrumentalists came into town, they brought along with them their unique, vintage-inspired sounds, high energy rhythms, and a few surprise guests sprinkled along their crowd at the Ruby Room.

When I arrived at the Ruby Room, the guys were immediately happy to sit down with me at one of the dimly lit booths near the bar. Curiosity caused me to ask them first about the ballet music they created, which was commissioned by The Charlottesville Ballet in Charlottesville, Virginia. Lead singer and guitarist Josh Rheault and bassist Jordan Flower, told me that the process was obviously much different than anything else they had written. Even so, the guys included the ballet on their latest EP release, appropriately titled The Ballet.

“Initially we were going to treat it as a separate thing, and then we kind of figured we might as well release an EP and use the EP as a way to house the ballet. It worked out, timing wise.” Jordan and Josh told me, about their choice to include their instrumental pieces on the EP.  The guys have even more up their sleeves, as far as composition goes, as they also noted, “We hope to do a lot more work with other dance companies. We might be doing an indie film, scoring that.”

The indie film is currently in the works, and penned and directed by Nicole Eckenrose. The guys were fairly tight-lipped on the project, since there are so many details that still have yet to be established for the project, but just one listen to what they composed for the ballet will convince anyone that their future soundtrack endeavors will be highly successful.

The group was formed by Rheault and drummer, Sammy Dent, both of whom may have been seen in their previous band, the Deer Hunter. There’s always a “previous band stigma” that can follow some musicians around, but not for Mercies. The trio has successfully branded themselves as a must-listen kind of band, and they boast a sound that is unique, a little astral, a little old school, and a lot of interesting; a feat that I had to congratulate them on. Rheault noted that he spent nearly four years in Los Angeles, touring and writing with his previous project, before finally making his way back home to Connecticut where he eventually started Mercies.

Though New England is their home, the guys had to admit they were really looking forward to their San Diego show. Rheault recalled his last show in San Diego where he played SOMA, a venue that definitely stood out to him. He described the venue in vivid detail as he recollected that night, and added that, “People here seem to really like music and shows, and they still go to them. It’s a good place.” He’s even kept in contact with some of his San Diego friends, including local heavy hitters Pierce the Veil, who were all at the show, ready to support the band with rowdy cheers and generous applause.

The people in San Diego do love their music scene, but it’s also easy for a band like Mercies to draw a crowd on their tour when they can cater to indie lovers so well. At first glance, Mercies may seem like a hipster’s ultimate wet dream; however, as soon as one takes a listen to The Ballet EP, it’s really easy to distinguish a difference between them and some of the other bands that are attempting the same thing. The first difference is in their influences. Mercies successfully draws on some of the greatest sounds of old, making those sounds new and fresh and exciting again. “[Our] biggest influences probably all stem back 50, 60 years. You know: Beatles, Beach Boys, and Les Paul.” All of this is apparent in their EP, and in their Beach Boys cover of “In My Room”. This was quite possibly the best song for the group to cover, and one of my favorite tunes to hear that night, since it is just as good live as it is recorded.

Sometime in November, the trio plans to release a 7″ vinyl of their latest songs. “People usually get a CD and then chuck it, or lose it. With vinyl, it’s something to hold on to,” says Rheault. One thing is for certain, their mesmerizing sound transposed onto the clarity and quality of vinyl, is going to be a unique item that any music lover won’t want to miss.

Neo Geo’s Rainy Terrell: “I hate fake!”

Have I mentioned how much I love female-fronted bands? How about female-fronted bands who REALLY know how to rock? Take my love for rock music and add the intensity and dynamic that can come from a female voice, and you’ve got Orange County natives Neo Geo. Their sound is just the right amount of edgy, their lyrics are unapologetic, and their music is diverse and moving. Truly a band to see live, as they will make sure you have an experience that you won’t soon forget.

I got the chance to talk with Rainy Terrell of Neo Geo about the passion behind their music, and what the band is up to next. Trust me, you’ll have a new-found appreciation for the badass-ness that is Rainy Terrell after reading this, or your money back. Which doesn’t really apply because this site is free, but read below anyway, and possibly discover a new favorite band in the process.

Neo Geo
Neo Geo’s Rainy Terrell performs at the Skullcandy Stage, Warped Tour 2011.
Photo: picksysticks

I know how difficult it is for “female-fronted rock” in this genre. How do you feel about that?

I see it as an opportunity more than anything. I don’t see it as a challenge; I see it as something new and it can be really awesome for our younger generations to see that also women are so captivating and emotionally very invested. I truly love it and it’s a challenge but yet it’s not. I see it as an opportunity more than anything to really convey how I feel. I really want to be an inspiration for younger women and kind of help them find their way. I’m trying to inspire younger women to find themselves.

You have a little bit more of an edgier, brash sound. How much of that is conveyed from your personal life?

Honestly, I used to do theater and I was in opera and that’s how I studied technically how to sing. As I got older I realized I really didn’t want to sing other people’s things. I wanted to be able to be in a band and actually convey what I feel and my emotions. So anything that you ever see on stage or anything that I write about is honest and true. I love artists that are real. I think that’s really important for any kind of music, because you expect to get something from the energy. I am theatrical, but I would never be a gimmicky band.

I can tell that your group has the passion for it! You can tell when a band is passionate about their music as opposed to gimmicky.

Exactly, I would never be a gimmick band. It’s always very real. I am human and there are some times when I am in a bad mood, or I’m in a great mood, or I am hurt about something, like anybody. I think it’s important to express that and not be fake about it. I hate fake!

So Neo Geo has been hitting some of the western tour dates. How has it been being on the road with the guys?

You know, I think I’m used to it by now. I have three brothers … and then being in a band with four other guys, and then all the techs are guys. So, it’s something that I find me picking up on certain things in their personalities. There are some things that I find myself doing that are kind of guy like, even though I am very feminine. Like, I’m okay with being able to be around them, and doing work. I do understand when they talk about girls or whatever. I feel like a little sister to them.

What kind of fan base have you noticed with Neo Geo? How do you interact with your fans?

It’s really cool because our fan base is a wide variety. I have women that are coming up to me that are in their 40s and 50s and guys that are in their 40s or 50s in our fan base. They’ll come to Warped Tour and they’re like, “Don’t ever stop what you’re doing.” A woman told me, “You’re like the next Gaga or Pink or No Doubt.” It feels really good to hear something like that.

What does the band have coming up in the future?

We just released a single called “Superstar”. When we go home [after Warped Tour] we’re going to be recording the second record. So that’s going to be really fun. I absolutely love [the single] “I’ve Done It Alone”, it’s even more of a favorite than “Superstar” but I love them both. Then we have a lot of other songs, another awesome ballad as well. So there’s a lot of really good songs that are going to be on the next record. It’s still going to be Neo Geo but it has a little more of an electronic/hip hop type feel, but it’s still very rock. It’s really hard to put a genre on it. It’s just Neo Geo; just a little different, but the same at the same time. It’s evolving.

 

Make sure you check out Neo Geo’s next show at The Roxy, September 12th, and if you’re not in the So Cal area, why not grab a free download of their latest single, “Superstar”? You’re welcome.

Hoopties, the Hollywood Bowl, and one rockin’ Liar

I got the chance to sit down with Chad Wolf of Carolina Liar, and I don’t think it’s possible for this guy to have a boring tour story. Chad, along with band mates Rickard and Johan, have seen it all: from hoopties to out of control Midwest parties, the famous Hollywood Bowl, and of course, an amazing city called San Diego.

You know an interview is getting off on the right foot when someone starts quoting Anchorman, and that’s exactly what happened when I asked Chad the very first question. He had nothing but glowing reviews for San Diego and the Griffin (Oh Mr. Wolf, flattery will get you everywhere and SD loves her compliments), and he reminisced about some of the most exciting moments that the band has had in other cities. Another notable tour stop on his list? Apparently, the Midwest. Chad noted that despite seeming like it should be a calm atmosphere, going to Kansas City is like “going to Vegas in the middle of the Midwest.” The lead singer told a hilarious story about one bar in particular:

“People just get crazy! The first time we played in Kansas City, we ended up in a bar … and it just turned into this full on free for all of just people and just madness. I remember reaching down to tap the waitress who was helping us out that night and she just grabs my face and starts making out with me. People were spraying water all over, it was turning into a wet t-shirt contest … and we were all just kind of looking at each other like ‘What is going on in this place?’ And Kansas from that point on has always been absolutely just crazy. One of our favorite places to play of course.”

The guys of Carolina Liar have even more miles on their agenda this year, including opening for Kelly Clarkson and the Fray. The band had just played at the Hollywood Bowl the previous night, and lead singer Chad was still glowing from the iconic experience. “The energy when you walk out [on stage], you just get the goosebumps,” he said about the famous landmark, which has welcomed artists like the Beatles and Aretha Franklin. “As you’re walking closer and closer to the front of the stage, you just feel the chills from the whole thing. It was amazing.”

The band is having a lot of fun playing songs from their latest album, Wild Blessed Freedom, (and of course sprinkling in tunes from their first album), and talking with Chad made me realize how much of an uphill battle it’s been for the group. Knowing the hard work and dedication that goes behind music can really add an appreciation to it, and that’s no exception for Carolina Liar. The group split amicably with Atlantic Records and decided to release their second album on their own label, and Chad mentioned it’s been a learning experience. “The difference between working for a major [label] and then working for yourself is the amount of time…things take.” But the group is pulling through it, and Chad stated that almost a year later, “now, this record is starting to get it’s own little motor behind it. It’s a wild ride.”

The album, which definitely touches on everything from power pop ballads to punchy, lyrical rhythms, has a mainstream sound that temporarily painted a very One Tree Hill-ish atmosphere inside the Griffin, which is actually a lot cooler than it sounds on paper. And each song, as the lead singer stated, has “it’s own little story.” Most of the songs seem to be a product of pure inspiration, teamwork, and….Thin Lizzy. “[Rick] and I were listening to Thin Lizzy like crazy at the time. No matter when or where we were at, it was all Thin Lizzy, all day long.” Take all of that into consideration, and you get this well-oiled ready to rock machine with songs that are both honest and ready for the radio.

If you want to hear even more about Chad and the rest of Carolina Liar’s experiences in San Diego, check out the video above! And if you’re not in San Diego, don’t miss these guys during one of their tour stops with Kelly Clarkson and the Fray.

This Treatment Doesn’t “Hurt”

Cover for “This Might Hurt” by The Treatment, courtesy of Adrenaline PR and Spinefarm Records

Let me take you back to another time, friends.  It was a day when men were men, women were women, and not every rock band wore skinny jeans and guyliner.  Bands like AC/DC, Thin Lizzy, and all their counterparts were dominating stages and airwaves.  These days, those bands are considered legendary, but their style and presence are long considered a thing of the past.

Well worry no more, friends.  If you like that style, then The Treatment is for you.

Formed in Cambridge, UK in 2008, this five-piece rock band is currently traveling through the US for their first tour of the country, opening up for rock icons KISS and Mötley Crüe on their not-just-cleverly titled “The Tour”. With their debut album, “This Might Hurt”, currently available for download on iTunes, the album also comes attached with their EP of covers, “Then & Again”.  San Supersonic had a chance to catch up with lead singer Matt Jones on the cusp of their show on August 12th at Cricket Wireless Amphitheatre in Chula Vista.

If you’ve had a chance to listen to their first single, “Nothing to Lose but Our Minds” (which you can right here), then you’ll notice that the band happens to be pretty classic sounding.  It’s less of a current style of rock, and has drawn a lot of comparisons to the earlier bands.  It was one of the reasons Nikki Sixx championed the band and was instrumental in getting them on board as the opening act of this tour.  “We couldn’t ask for more,” said Jones about the tour.  “We grew up listening to both bands, and I had posters of them on my wall.”

The craziest part is that these aren’t the only rock juggernauts these guys have already put in miles with.  They’ve also shared performances with Motorhead, Black Stone Cherry, and Alice Cooper among others.  Big name performances?  They’ve notched those too.  They’ve already gained experience playing at Download and Sonisphere, two of the biggest European festivals for music.

It’s easy to understand why Jones couldn’t ask for more. The group’s origins began in 2008, when Dani Mansworth began looking to start a band.  With him as the drummer, he quickly recruited Ben Brookland and Tagore Grey on guitar, along with Rick “Swoggle” Newman on bass.  After a six-month search for a vocalist, the group found Jones in Norwich and the road began for the five-piece.  The members of the band packed up and moved in with Mansworth and his father Laurie, who was no stranger to music himself.  The elder Mansworth has worked with such UK acts as More, Airrace, and Roadstar.  The group began almost daily practices, knowing exactly in which direction they wanted to go.  The sound is incredibly vintage for a band where all the members are in their late teens and early 20’s, but considering they list Aerosmith, AC/DC, and Thin Lizzy as influences, it should come as no surprise.  “We didn’t think we could be doing this all this quick,” said Jones.  “We all work hard at what we do.”

It’s easy to talk comparisons to some of these bands though, and often PR pieces will tend to use a lot of hyperbole when discussing a new band’s sound, strictly to get others to warm them up.  When Jones was given the chance to put the band’s style into his own words, he gave an opinion not far from others I’ve spoken with.  “We’re just a rock band.  We’ve got a classic rock feel with a youthful twist.”

The 14-track debut just premiered in the States on July 17th, being distributed through Spinefarm Records, and the upcoming EP features tracks that not everyone would recognize as “iconic” right away.  Picking tracks from artists like Canned Heat, Electric Light Orchestra, Slade, Jo Jo Gunne, and Chris Spedding, none of these tracks may possibly click in someone’s head.  The most notorious, at least people I spoke to can remember, is ELO’s “Evil Woman”, which is still not a track someone can point out instantly.

“We wanted to do songs people our age might not have heard of,” said Jones, and the selection work.  Instead of taking the safe route and tossing in something like “Back In Black” or “The Boys Are Back In Town”, the group threw in tracks like Canned Heat’s “Let’s Work Together”, or Spedding’s “Motorbikin'”.

The band is still young and there’s still several thousands of miles for this group to log before they near the number their heroes have traveled, but if their hard work is any indication, the group is more than up to the task.  “This Might Hurt” is available on iTunes, and “Then & Again” is actually available as part of the album on the iTunes store.  If you can’t see The Treatment in Chula Vista, they also play Irvine on August 14th.

Warped Interviews: Tonight, we are Alive!

Meet Australian pop rockers Tonight Alive, Warped Tour’s resident “foreign exchange students” as one guy enthusiastically yelled out before their interview, during their stop in San Diego, CA. I got to sit down with Jenna McDougall and Whakaio Taahi and discuss everything from their experience so far on Warped, to their first full length album, What Are You So Scared Of? For a band that is barely graduating from their freshman year in the game, Tonight Alive is quickly making a name for themselves and putting a few of the seniors in their place, too. But that doesn’t mean they can’t be the most humble, down to earth people from down under. And….. cue the unison “awww”!

Being a ‘female-fronted band’ in a typically perceived man’s world, Jenna and Whakaio had wise words to say about their music and the bands that share this rather broad category with them. Some people may argue that it’s easier or more difficult for a female-fronted band, but lead singer Jenna notes that Tonight Alive have had no special treatment, and “if you’re doing it right, it’s as hard as it is for everyone else.” Whakaio further adds that he doesn’t see the group as being a female-fronted band. “The thing about Jenna,” he states, “is it’s not because she’s female, it’s because she’s talented as a songwriter and as a vocalist.”

Talent is the first factor that catches your eyes (and ears) when listening to Tonight Alive. Another trait that is hard to ignore is how seasoned the band seems, even though they currently have released only one full length album. Whakaio accredits this to the band touring with each other for over 2 years now, making them a tight-knit group. Even so, Warped Tour is a whole other world and it’s obvious that the band is still riding on cloud nine. Whakaio adds that “It’s been two weeks and still it hasn’t worn off that we’re in this thing finally.”

Jenna’s face lights up when she mentions how excited she’s been for the entire experience and the fans that come out to the shows. “It’s nice to know that the people that are standing in front of us when we play are not waiting for the band that’s coming on next,” says Jenna, and she’s got a good point. For a freshman band to attract so much attention while on a tour with over 90 other musicians, I must say, it’s impressive.

The band has obviously put a lot of thought into their tours, their performances and their music, as Jenna and Whakaio describe the feelings behind their album, What Are You So Scared Of? Jenna states the album’s theme is a number of things, but mainly it hopes to ask others the question, “what’s holding you back?” For a first album, the idea of facing your fears head-on seems like the perfect theme. Whakaio adds that he wanted to “help those people that are…searching for something.” with Jenna adding in to “take chances.”

Maybe that’s why the album has been quite popular. It sounds like YOLO, only smarter and a little more relatable. And I’m loving that. What do you think?

Another reason why I like this band? They signed that poster that we’re giving away on the site! If you’re interested in winning it, make sure you check out the giveaways section.

Behind the Scenes of the Warped Tour Interviews

Yours truly got the chance to interview some amazing bands from Van’s Warped Tour including Taking Back Sunday, Tonight Alive, Every Time I Die, Cali natives G-Eazy and Pierce the Veil, and Austin from Of Mice & Men, among others! The videos will be here soon, but until then, here’s some behind-the-scenes eye candy to drool over. Happy Hump Day!

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Don’t call them a Pinback!: Privet’s been here for years

Well, sort of. Maybe they haven’t quite been here for years, but there’s definitely something to be said about San Diego based, experimental alt-rockers Privet, and it includes more than the obvious comparisons. From the moment you begin to listen to their 2011 self-titled release, you may hear a few similarities with heavy hitters such as Pinback and Radiohead. But get about 30 seconds into any song, and Privet proves that they’ve taken this really intriguing genre and made it their very own.

Just on the edge of mathy, jazzy, and at most times very exploratory, Privet is a group of guys who either know exactly what they’re doing or they have the rhythm and music theory gods in their corner. Actually, they more or less know exactly what they’re doing. It only took a few moments of chatting with bassist Elliott Winicki to know that he was classically trained as well as ready to rock. Drummer Matt Lynott has the musical expertise that can only come from being a slightly self-professed “band whore” (Which is seriously one of the best kind of whores to be. Seriously!) Add in the well calculated riffs of Sean Walsh on guitar, the gently endearing vocals of Will Hagan, and a various slew of other instruments that the guys have all mastered, and you’ve got what I like to call “melodic chaotic”. Melodic because tunes like “Only A Fool” toy with beautiful folky themes, and chaotic because the asymmetrical dynamics and rhythms are always keeping your ears coming back for more.

Cruising music, relaxing music, music to listen to while you’re thinking or reading or on a road trip. Tunes that elevate your spirit. And that’s the real reason why Privet is compared to musicians like Elliot Smith, Jose Gonzalez, or yes, even Pinback.

The guys are currently in the studio working on another full-length album, and after getting the chance to sample two brand new unreleased tracks, I’m excited to hear what will be released in the upcoming months. Bands like Privet can easily build upon their style and grow even more, making each new release that much more interesting, diverse, and mature. They’ve got a few things in store for their fans, which include not only their familiar attention to detail with complex chords and riffs, but also growth from lead singer Will, that gives his lyrics a mainstream edge that’s just catchy enough to get you singing along, but not too conventional to deter from the artwork that’s happening in the music.

This four piece also operates as a creative duo (appropriately titled Privet Duo), and both projects have shows lined up soon, so check out their official site or Facebook for more details.