The theme song for this week comes from a YouTube star who will really blow your mind with her original song inspired by Dexter Morgan. Trust me when I say this tune is perfect, mysterious and just on the verge of moody, just like the famed vigilante serial killer.
With over 170 videos, 120,000 subscribers, and god knows how many total views (hint: A LOT), I’m seriously surprised that this charismatic and humble singer and songwriter hasn’t found herself smack dab in the middle of her own fame. However, there is nothing wrong with flying under the radar, especially when it comes to an artist who is as dedicated and creative as Daniela Andrade. She has her own active Tumblr tag, so she counts as famous to me.
Listen to more of Daniela’s work; you won’t be disappointed. And let me know your opinion on her Dexter inspired tune. Appropriately dark and alluring?
The tune this week is a song in which I literally cannot stop hitting the “repeat” button. Brandon Boyd has proven to be a musical chameleon over the years, whether you’re following the flowing discography of Incubus or taking a look at his own solo work and artwork. However, he may have outdone himself with latest project, Sons of the Sea, an electrical symphony of love songs that inspire clarity and sometimes even sex appeal.
Sons of the Sea began very quietly as a duo between Boyd and multi-instrumentalist Brendan O’Brien; with a few lyric videos here and there, and an EP, Compass, released on a record label that apparently doesn’t really show up in a Google search. Boyd has never had to prove his humbleness, since even though Incubus has penned some iconic songs, they still give regularly to charities via the Make Yourself Foundation, and they’re even not afraid to meet and greet with a fan or two; however, the small ripple of Sons of the Sea’s release is a sheer testament to Boyd’s lack of interest in fanfare.
Ironically, you could juxtapose Boyd’s personal humility with his music, which offers searing vocals, clear melodies, composition with depth and mood, and lyrical lessons worth listening to. In particular, the tune “Lady Black” is a completely enchanting track which powers through a love story that is observant and sincere. The choice of music to escort this age-old tale of unrequited love has the perfect intensity, as the entire track leaves an eerily adventurous vibe in my ears and a few goosebumps on my skin. The good kind of goosebumps. You know, the ones you get when someone whispers something amazing to you. Yeah, those kind of goosebumps!
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“If love goes unrequited, can we really call it love? Do I hang on? Or should I let go?” Lyrics to live by, even if they are posed as a question. It’s a question that we all have to ask ourselves, and even Incubus frontman Brandon Boyd is not immune to the powerful feelings of uncertainty in love. Sons of the Sea is a continuation of Boyd’s brilliance, and I hope he will carry on with this project in the future, because I know I’m definitely not letting go.
What do you think? Let me know in the comments, below!
Do you need a new obsession in your life? Well good news, The Frail have just released a new music video, and they’re continuing to steal the hearts of fans everywhere in the process.
Modern music never ceases to amaze me, because in a world where people claim “nothing is original” there are bands like The Frail, continuing to push those boundaries and create catchy, unique music.
And their fans must agree, because after a very successful Kickstarter to fund their latest music video, the final product was released to brilliantly warm reception.
We got the chance to speak with The Frail about their genre-bending tunes, couch surfing in Bankers Hill (yes, really!), and what to expect from their full length album, LoveDeathLegend — to be released soon!
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TheIndieSD.com: I love the classical influence on the song “Count on This”. How did you come up with this idea?
The idea of blending classical French music with electronic music seemed so perfect at the time. It created a bitter sweet/uplifting feel to it.
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TISD: To say that your music defies traditional genre boundaries is very true! Where do you draw influences from when you’re writing or in the studio?
Well in the past it was just Kevin and I emailing back and forth writing parts and singing and mapping out the songs. But now we work with Different Fur Studio owner and producer Patrick Brown on a lot of the newer material. We listen to a lot of different pop music, and then bands like M83, The Drums, Phoenix, Kavinsky, Queen, really all over the place!
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TISD: You’ve already had the chance to tour with some amazing acts (Moby, Hot Chip, Justice). Are there any other artists that you’d love to have the opportunity to share the stage with in the future?
We’ve been listening to a lot of bands like The Neighbourhood, Delorean, Phoenix, Two Door Cinema Club, any of those would be awesome! (We’re here and ready wink wink nudge nudge)
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TISD: Tell me about some of the amazing shows you’ve had recently. Any really memorable moments on stage so far?
One really awesome show we played recently was in our hometown of San Francisco at The Great American Music Hall. We have always wanted to play there but never really had the opportunity pop up until a couple months ago. That place is legendary and we were able to play with some amazing friends: Doe Eye, Tremor Low, and of course our very good friends Parallels (We were on a mini tour with them at the time). It was definitely a highlight!
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TISD:The Firefly EP is magical, in my opinion. Your sound is definitely unique and inspiring. What can your fans expect from your future full length release, LoveDeathLegend? Will you be expanding on and exploring even more upbeat genres and themes?
Well we have really pushed forward with our musical style in regards to LoveDeathLegend. I think it touches on some of the older material while really pushing us a bit further in the pop genre. LoveDeathLegend has a lot more live instrumentation and everything sound a lot bigger than the older records. Expect a fun record that pushes our music to a place it hadn’t really been before.
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TISD: Which song is the very first song you wrote for The Frail?
It’s a toss up between “Who Am I” and “Count On This”, both on the Count On This EP on Tricycle Records :)!
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TISD: Being that you found each other on Craigslist, how was the band dynamic when you first started to create music? How quickly did you fall into your groove when you started writing with each other?
Kevin and I have a weird way of knowing what each other are thinking musically. It was really basic at first. Kevin had written a few tracks and we adjusted the structure of those songs together to make them fit vocals. From there we really started songs, we were both writing back and forth and it kind of fell into place. Being that we are a full band it’s a bit more challenging but definitely produces a well rounded sound at this point. It’s always a work in progress though and we are always looking to improve our songwriting or reach new heights.
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TISD: Your latest video “Back to Me” had a very successful Kickstarter campaign backing it up. How does it feel to have such steady fans and heavy support for your music?
We feel extremely lucky that we’ve had supporters on both Kickstarter & Indiegogo! We really couldn’t have done any of this without them, so needless to say without them we wouldn’t be anywhere. So they are the ones that control this band and we are so grateful to have them be apart of this.
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TISD: And the end product is amazing, by the way. There seem to be a lot of deeper themes covered in the video. How did you go about making this video? What stories did you want to depict in this video?
Well the song is about a time in my life when I was actually dating someone in San Diego and practically living on a friend’s couch in Bankers Hill. It was a leap of faith kind of thing and definitely eye opening. The video took the pieces of the song that reflect that. Wanting to be somewhere else and just going for it while trying to escape what you called home before. We really really love San Diego by the way. (Shout out to Marshall)
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TISD: What do you hope to achieve in 2014? How do you hope fans will react to LoveDeathLegend?
Well we hope to have released LoveDeathLegend by then and to be on the road non stop. We are actually headed back into the studio in November to work on new material with Patrick at Different Fur. So you might even see an EP before the full length. We’re just having fun playing shows and writing music. As far as the reception to LoveDeathLegend goes, we hope people like it. It’s pretty different from all our other material and touches a lot of different genres so we think there’s a little something for everyone in it!
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Make sure to follow The Frail via their official site or their Facebook page for updates on the new album, LoveDeathLegend. And let us know what you think of their video in the comments below.
The internet pretty much freaked out when Arcade fire won Album of the Year in 2011.
Recently, indie artists and independent labels have dominated the music world and proven that the little guys can acquire big fame, too. But despite all of this, many still wonder if independent music can continue to grow, or if a lot of these instances were simply “the right song at the right time”. And if it’s the latter, do we know if independent bands such as Arcade Fire will continue to gain recognition, or turn themselves into one hit wonders manipulated by mainstream media?
Independent artists and labels already have one thing going for them: they’re allowed to focus on sheer talent. Perhaps major labels are so used to racking in money and using a lot of that money to fuel expensive tours and production costs, they’ve grown too big to allow error. They can’t take the time to focus on an artist who might be good but won’t make any money — or else they’re out billions.
Can you imagine being out of billions of dollars because you decided to sign nothing but really talented artists for, let’s say for sake of argument, a year? That’s the world of big media. If it isn’t making them money, they simply don’t have time for it. And so continues the well oiled machine.
This could be why independent artists are having such a great decade. These acts are able to reach markets and achieve greatness that before did not come easily without the backing of a major label: from Macklemore, who set unprecedented records for an independent artist on the Billboard charts, to Arcade Fire winning Album of the Year at the 2011 Grammys and Mumford & Sons claiming the award this year. (Majority of the Grammy Album of the Year winners and Nominees are definitely on major labels.) And they’re doing it because the public really loves good music.
Most people like to argue that pop music ruined the creative, talented music market. I don’t believe one genre came in and wrecked it for everyone. I believe in cycles. In the 70s, disco haters might have come to the same conclusion, spurning the fad and citing it for ruining the time of 60s singer and songwriters.
The same could be said of heavy metal and nu-metal, both of which dominated mainstream charts in the 90s following the era of the 80s R&B revival and the “golden age of hip hop”.
My point is, popular music and fads will always be there. But so will the fearless, talented, and modern music makers who are passionate about the craft of creating a song. We’re lucky to have a market that has finally opened up to the “little guys”, so we can see independent labels create sell-out shows, unsigned hip hop artists make thousands on their own mix tapes, and yes, indie rock bands beat out millionaires to win a Grammy, effectively making them not so little anymore.
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So far, Arcade Fire is stirring up very deep conversations about their release today, “Reflektor”
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What do you think about this? Do you think independent music will continue to have its glory in the bigger music market? Or will the mainstream media take over again someday and shut them out?
The theme song for this week comes from a 16 year-old girl with a song that you probably have heard already and found yourself humming all day, without even realizing it. We’re talking about New Zealand popstress Lorde, who is quickly convincing the masses that she could be the next princess of pop.
With a truly perfect grasp on a modern pop sound that is refreshing without being too cliché, Lorde has an EP that boasts originality and even a little bit of swag. Which is ironic, when you listen to her current hit single “Royals”, a perfect ballad to the generation of youth that are tired of “Cristal, Maybach” and “diamonds on your time piece”. Throw away all of your possessions and stop worrying so much about having the next best thing with a pop singer who claims she’s never even “seen a diamond in the flesh.”
Well, she is only sixteen. I’d be very impressed if she had a Maybach and a diamond encrusted watch at that age. Though these days, the youth are the rich, now aren’t they? Either way, Lorde isn’t preoccupied with these materialistic music ideals, and the result is a jam that almost anyone can truly relate to. Top it all off with her uncanny ability for lyrics wise beyond her years, and a voice that sounds more mature jazz maven than precocious teenager, and Lorde is sure to become something big in the states.
Check out the video for “Royals” and let me know what you think! I can’t stop listening. Seriously…someone get the replay button away from me.
The famously talented (and young!) drummer for Nine Inch Nails, Paramore, and Angels & Airwaves has a new stamp on the music scene that is solely his. Enter, The New Regime, drummer Ilan Rubin’s latest pride and joy. He’s created the project all by himself, which gives this versatile musician the chance to show off all that he has up his sleeves. Check out this interview with Rubin, where we talked about his ambitious plans for the music industry.
TheIndieSD: First off, congrats on the new release, and for being on this month’s cover of Rhythm! :)
Ilan Rubin: Thank you very much!
TISD: You’ve accomplished a lot in the music industry and performed with many successful acts at such a young age! Did you always feel that your career would take you in this direction? Where do you see your solo project, The New Regime, five years from now?
IR: In terms of the drumming side of my career I suppose that this is the direction I saw it going in. Ideally, I think most people see themselves achieving their goals in the format of a band but my goals evolved into what I’ve been doing for a while now. The New Regime is where I see my true master plan unfolding. I’ll keep writing material during my commitments with other bands but when I have the time to properly tour with The New Regime I feel that the sky is the limit.
TISD: Paramore, Nine Inch Nails, Angels & Airwaves — all amazing bands, with very different sounds! Tell me about how it feels to be a part of so many unique projects?
IR: It’s a lot of fun getting to play with all of the above and becoming good friends with good people. They’re all different bands and its nice to get to play the drums differently in them all.
TISD:How did you feel back in 1999 when you got the opportunity to play at Woodstock?
IR: The subject that won’t go away! It was a very long time ago… I was excited to play a big show back then just as I would be now but I honestly don’t hold that event in high regard. I played a show when I was young, oh well.
TISD: Starting off your career so young, did you ever have moments of doubt or feel overwhelmed with how quick-paced the music industry can be?
IR: I never had any doubts in terms of me doing the right thing by pursuing music. However, there will always be a concern as to how I can achieve my goals in such an inconsistent and volatile industry. I’m working on it and am constantly thinking about ways to make this happen.
TISD: I can hear a little bit of NiN influence in The New Regime. Tell me about some of your other influences that helped to mold your solo project?
IR: As far as bands I’ve played with I think that NIN would be the only one to reveal itself as an influence in my music. I feel like a broken record when I talk about the music that influences but Led Zeppelin, The Beatles, Queen, Beethoven, Bach, Radiohead, Depeche Mode, Jeff Buckley, to name a few…
TISD: Have you collaborated with other musicians for The New Regime, or do you plan on collaborating with others in the future?
IR: I haven’t collaborated with anybody for The New Regime. I write, play, and sing everything and my brother/manager Aaron records, mixes, and co-produces with me. I would collaborate with people in the future but the guys I’d like to approach wouldn’t waste their time with me!
TISD: How did it feel to be back in your hometown of San Diego shooting the Trolley Show? (Awesome job, by the way!)
IR: The Trolley show was a lot of fun! I must admit that it was my first time on the trolley and it was a pleasant experience. I’m glad you enjoyed it, thank you!
TISD: You’re known as a drummer, but how does it feel to get the chance to show off your other talents with your solo project? Do you plan to work more singing and guitar into your future musical endeavors?
IR: The New Regime is the only way I can truly show who I am as a musician. I’d be happy to use any skills I have if the job calls for it and have had fun doing so in NIN and Angels and Airwaves.
TISD: Have you ever had any funny/embarrassing moments on stage or throughout your career?
IR: The only thing that comes to mind would be my 21st birthday during a show in Paris with Nine Inch Nails. I was completely shocked when two strippers danced on both sides of me and dropped a cake on my head. You can see it on Youtube. People seem to find it funny.
(He’s referring to this video, which is NSFW. Thanks Youtube!)
TISD: Do you have a current music obsession at the moment? Favorite song on repeat or an album you can’t stop listening to?
IR: Lots of Depeche Mode. I’m late to everything when it comes to music so I’ve had a good time going through their catalogue.
TISD: Are there other challenges, instruments, experiences you want to tackle in the future during your career? What other plans do you have in mind?
IR: The challenge I’m most focused on and is most important to me is achieving my goals with The New Regime. It isn’t a side project to me and I really want to take it as far as humanly possible.
The New Regime just released a brand new video! Check out “Daydream” below and let us know what you think in the comments.
Guilty pleasures aren’t that guilty if you’re proud of them, and trust me, I am always proud to share a pop artist who gets it right! And best of all, I’ve got you covered if you need something to do this weekend.
Lenka, who’s been on a first name basis with the world since beginning her solo music career, has been awfully busy since “The Show” put her on the pop music map.
She followed up her self-titled debut with the just as catchy and poppy Two, an album that may have suffered the “sophomore slump” . While it’s extremely fun and the lyrics are very smart, overall it’s lacking creativity and follows similar two-beat patterns throughout most of the songs. Here’s where this pop story becomes an uplifting tale. Lenka’s latest release, Shadows, seems to offer everything we were hoping for from her earlier release. Shadows offers diversity while painting a magical scene from the very start, with “Nothing Here But Love.” The entire album plays on atmospheric sensibilities that Lenka describes as “lullabies for adults”. But don’t expect to nod off after you hear how beautifully crafted and uplifting the album can be. Tunes like “Find a Way to You” and “Two Heartbeats” playfully bounce around in rhythms like an intricate music box, while dipping into minor keys at just the right moment to cause the perfect amount of tension. That tension is what makes this album Lenka’s deepest repertoire of songs yet.
Pop music that is deep. That is when any artist in any genre gets it right, and in my opinion, artists like Lenka should be the definition of great music.
They say word of mouth is an amazing marketing tool. That could be proven true for Little Hurricane, since I knew about this group well before I ever heard a sound. San Diego’s bluesy indie darling has been making waves since 2010, and in that short time they’ve managed to carry out the near impossible: they’ve forged a path for their band that turned Little Hurricane into a large force to be admired.
Some people in the San Diego music scene might say that finding musicians on Craigslist just doesn’t work. Try and tell that to lead singer Anthony Catalano and drummer C.C. Spina. According to their Wikipedia page, that’s exactly how the duo got its humble beginnings, and just by taking a listen to the result, one could argue that it was fate. Fans of The Black Keys, The Dead Weather, and The Lumineers will absolutely adore the edgy, almost angsty approach to blues and folk that Little Hurricane has become synonymous for. Catalano pours his heart out in lyrics and style alike, with a voice that has mastered just the right amount of rasp. Spina is the perfect piece of the puzzle, and her eerily soothing vocals shine in duet style tracks like “Crocodile Tears” and “Give Em Hell”.
Their 2012 album Homewrecker lives up to its dramatic title, as it has the kind of music that will dilate your pupils and send goosebumps across your skin in the best way possible! Full of energy, intrigue, and even a little seduction, the songs are all unique enough to keep you entertained from beginning to end, yet can be intertwined into one mesmerizing bluesy story. Don’t believe me? I dare you to take the Little Hurricane challenge and listen (if you haven’t already), to see if a storm hasn’t grown inside of you by the last track. “Give Em Hell” is the perfect melodramatic conclusion to the album; the song is ominously uplifting, like the perfect villain’s soundtrack. Spina croons behind Anthony Catalano like the little voice in your ear or the little devil on your shoulder. This final track seems to wrap up the consciousness of the entire album with perfection.
I haven’t seen this band live — yet — but if their fan base is a testament to how amazing they are, then I’d bet money that Little Hurricane delivers when they’re on stage, as well. They’re now on tour, so check them out at the Belly Up this Friday May 31st in San Diego, or at any of their other tour dates.
This week’s Guilty Pleasure is just in time for the long Memorial Day Weekend. While I’m usually not one to jump right in to the dance and pop music scene, there are a few diamonds in the rough who prove that you can party and have a little musicality all at the same time. You’ve probably already heard The Cataracs from one of their many top singles, (“Like a G6“, “Bass Down Low“, and “Alcohol”, shown above, to name a few). Now you can catch producer and vocalist Niles “Cyrano” Hollowell-Dhar live at the Hard Rock Hotel’s Club 207 in San Diego. The best news is, the show is free if you add your name to the guest list.
Every location, every situation, every scene has a “Best Kept Secret“. This past week, a friend said something to me that inspired the idea for this new feature. Each week, I’m going to showcase an extraordinary musician or band that is already doing big and amazing things with their craft. There are superstars in our very own backyard and we might not know it yet. Don’t worry, I’ll keep you in the loop, starting with the indie rock quartet Social Club.
I can still remember the day my mother gave me Coldplay’s Parachutes for Christmas.I remember squinting at the CD and thinking “Who is this?” The same could be said for Maroon 5’s Songs About Jane. Those were my first interactions with bands who would turn out to be amazing forces in the music industry. Everybody has a start, and just like the humble beginnings and initial “ah ha!” moments from those acts, San Diego has a few musicians who could inspire similar feelings of revelation. Little did I know, Parachutes was going to be a this-album-will-change-your-life kind of moment, and Songs About Jane is still a staple on my playlists to this day.
With that kind of introduction, enter So Cal rockers Social Club, the first band that I will feature in this series. When I heard their music over a year ago, I already knew that they were more than just talent. They had the kind of star power and energy that captivates you from the first listen. And in that short year, Social Club has managed to only further perfect their unique take on indie pop rock fusion, as seen on their debut album Gamma Rays. The smart rhythm sensibilities of drummer Jeff Litzman pulls the elements of the band together seamlessly; attention to detail soars through keyboardist Thea Tochihara and bassist James Spratley is right in step with the rhythm, driving the songs forward in an energy that is both listenable and danceable. (And yes, I said listenable. It’s a word and it highly applies in this case!)
Add in lead vocals from John Levan, who sweetly croons in his upper register one moment while belting his heart out in the next, and you have a combination that I like to call sultry. Sultry is my absolute favorite quality in music, by the way. And Social Club is dripping with sultry goodness.
Their musicianship translates so well live that if you weren’t watching their instruments you’d swear they were playing the CD. And in this day and age, a band is only worth as much as it weighs live. Believe me, Social Club will not only command a stage, but also sound very good while doing it.
I would say I’m biased because I’ve had the chance to get to know these musicians over the past year, but I’m not the only one who sees and hears their talent. They were recently the winners of the MOFILM Texas competition, which sent them VIP style to headline an event at the South by Southwest Music Festival. But commendations aside, the music speaks for itself. Take a listen to Gamma Rays, available on iTunes, Amazon, and GooglePlay. Plus, you can get a free download of their single, “Slow Motion” via their website.
Check out this video for their song “Loosen Up”, produced by Helium Films USA.
Do you need a new obsession in your life? Well good news, The Frail have just released a new music video, and they’re continuing to steal the hearts of fans everywhere in the process.
Guilty pleasures aren’t that guilty if you’re proud of them, and trust me, I am always proud to share a pop artist who gets it right! And best of all, I’ve got you covered if you need something to do this weekend.
They say word of mouth is an amazing marketing tool. That could be proven true for Little Hurricane, since I knew about this group well before I ever heard a sound. San Diego’s bluesy indie darling has been making waves since 2010, and in that short time they’ve managed to carry out the near impossible: they’ve forged a path for their band that turned Little Hurricane into a large force to be admired.
Every location, every situation, every scene has a “Best Kept Secret“. This past week, a friend said something to me that inspired the idea for this new feature. Each week, I’m going to showcase an extraordinary musician or band that is already doing big and amazing things with their craft. There are superstars in our very own backyard and we might not know it yet. Don’t worry, I’ll keep you in the loop, starting with the indie rock quartet Social Club.
The Indie 