Category Archives: Videos

The Indie Revolution: will Arcade Fire dominate again?

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The internet pretty much freaked out when Arcade fire won Album of the Year in 2011.

Recently, indie artists and independent labels have dominated the music world and proven that the little guys can acquire big fame, too. But despite all of this, many still wonder if independent music can continue to grow, or if a lot of these instances were simply “the right song at the right time”. And if it’s the latter, do we know if independent bands such as Arcade Fire will continue to gain recognition, or turn themselves into one hit wonders manipulated by mainstream media?

Related: Tears for Fears covers Arcade Fire’s “Ready to Start”

Independent artists and labels already have one thing going for them: they’re allowed to focus on sheer talent. Perhaps major labels are so used to racking in money and using a lot of that money to fuel expensive tours and production costs, they’ve grown too big to allow error. They can’t take the time to focus on an artist who might be good but won’t make any money — or else they’re out billions.

Can you imagine being out of billions of dollars because  you decided to sign nothing but really talented artists for, let’s say for sake of argument, a year? That’s the world of big media. If it isn’t making them money, they simply don’t have time for it. And so continues the well oiled machine.

This could be why independent artists are having such a great decade. These acts are able to reach markets and achieve greatness that before did not come easily without the backing of a major label: from Macklemore, who set unprecedented records for an independent artist on the Billboard charts, to Arcade Fire winning Album of the Year at the 2011 Grammys and Mumford & Sons claiming the award this year. (Majority of the Grammy Album of the Year winners and Nominees are definitely on major labels.) And they’re doing it because the public really loves good music.

More Indie Labels: Easy Killer Records promises diversity and dedication

Most people like to argue that pop music ruined the creative, talented music market. I don’t believe one genre came in and wrecked it for everyone. I believe in cycles. In the 70s, disco haters might have come to the same conclusion, spurning the fad and citing it for ruining the time of 60s singer and songwriters.

The same could be said of heavy metal and nu-metal, both of which dominated mainstream charts in the 90s following the era of the 80s R&B revival and the “golden age of hip hop”.

My point is, popular music and fads will always be there. But so will the fearless, talented, and modern music makers who are passionate about the craft of creating a song. We’re lucky to have a market that has finally opened up to the “little guys”, so we can see independent labels create sell-out shows, unsigned hip hop artists make thousands on their own mix tapes, and yes, indie rock bands beat out millionaires to win a Grammy, effectively making them not so little anymore.

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So far, Arcade Fire is stirring up very deep conversations about their release today, “Reflektor”

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What do you think about this? Do you think independent music will continue to have its glory in the bigger music market? Or will the mainstream media take over again someday and shut them out?

 

The Theme Song This Week is to crave a different kind of buzz

The theme song for this week comes from a 16 year-old girl with a song that you probably have heard already and found yourself humming all day, without even realizing it. We’re talking about New Zealand popstress Lorde, who is quickly convincing the masses that she could be the next princess of pop.

With a truly perfect grasp on a modern pop sound that is refreshing without being too cliché, Lorde has an EP that boasts originality and even a little bit of swag. Which is ironic, when you listen to her current hit single “Royals”, a perfect ballad to the generation of youth that are tired of “Cristal, Maybach” and “diamonds on your time piece”. Throw away all of your possessions and stop worrying so much about having the next best thing with a pop singer who claims she’s never even “seen a diamond in the flesh.”

Well, she is only sixteen. I’d be very impressed if she had a Maybach and a diamond encrusted watch at that age. Though these days, the youth are the rich, now aren’t they? Either way, Lorde isn’t preoccupied with these materialistic music ideals, and the result is a jam that almost anyone can truly relate to. Top it all off with her uncanny ability for lyrics wise beyond her years, and a voice that sounds more mature jazz maven than precocious teenager, and Lorde is sure to become something big in the states.

Check out the video for “Royals” and let me know what you think! I can’t stop listening. Seriously…someone get the replay button away from me.

Ilan Rubin: The New Regime has risen

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The famously talented (and young!) drummer for Nine Inch Nails, Paramore, and Angels & Airwaves has a new stamp on the music scene that is solely his. Enter, The New Regime, drummer Ilan Rubin’s latest pride and joy. He’s created the project all by himself, which gives this versatile musician the chance to show off all that he has up his sleeves. Check out this interview with Rubin, where we talked about his ambitious plans for the music industry.

TheIndieSD: First off, congrats on the new release, and for being on this month’s cover of Rhythm! :)

Ilan Rubin: Thank you very much!

TISD: You’ve accomplished a lot in the music industry and performed with many successful acts at such a young age! Did you always feel that your career would take you in this direction? Where do you see your solo project, The New Regime, five years from now?

IR: In terms of the drumming side of my career I suppose that this is the direction I saw it going in. Ideally, I think most people see themselves achieving their goals in the format of a band but my goals evolved into what I’ve been doing for a while now. The New Regime is where I see my true master plan unfolding. I’ll keep writing material during my commitments with other bands but when I have the time to properly tour with The New Regime I feel that the sky is the limit.

TISD: Paramore, Nine Inch Nails, Angels & Airwaves — all amazing bands, with very different sounds! Tell me about how it feels to be a part of so many unique projects?

IR: It’s a lot of fun getting to play with all of the above and becoming good friends with good people. They’re all different bands and its nice to get to play the drums differently in them all.

TISD:How did you feel back in 1999 when you got the opportunity to play at Woodstock?

IR: The subject that won’t go away! It was a very long time ago… I was excited to play a big show back then just as I would be now but I honestly don’t hold that event in high regard. I played a show when I was young, oh well.

TISD: Starting off your career so young, did you ever have moments of doubt or feel overwhelmed with how quick-paced the music industry can be?

IR: I never had any doubts in terms of me doing the right thing by pursuing music. However, there will always be a concern as to how I can achieve my goals in such an inconsistent and volatile industry. I’m working on it and am constantly thinking about ways to make this happen.

TISD: I can hear a little bit of NiN influence in The New Regime. Tell me about some of your other influences that helped to mold your solo project?

IR: As far as bands I’ve played with I think that NIN would be the only one to reveal itself as an influence in my music. I feel like a broken record when I talk about the music that influences but Led Zeppelin, The Beatles, Queen, Beethoven, Bach, Radiohead, Depeche Mode, Jeff Buckley, to name a few…

TISD: Have you collaborated with other musicians for The New Regime, or do you plan on collaborating with others in the future?

IR: I haven’t collaborated with anybody for The New Regime. I write, play, and sing everything and my brother/manager Aaron records, mixes, and co-produces with me. I would collaborate with people in the future but the guys I’d like to approach wouldn’t waste their time with me!

TISD: How did it feel to be back in your hometown of San Diego shooting the Trolley Show? (Awesome job, by the way!)

IR: The Trolley show was a lot of fun! I must admit that it was my first time on the trolley and it was a pleasant experience. I’m glad you enjoyed it, thank you!

TISD: You’re known as a drummer, but how does it feel to get the chance to show off your other talents with your solo project? Do you plan to work more singing and guitar into your future musical endeavors?

IR: The New Regime is the only way I can truly show who I am as a musician. I’d be happy to use any skills I have if the job calls for it and have had fun doing so in NIN and Angels and Airwaves.

TISD: Have you ever had any funny/embarrassing moments on stage or throughout your career?

IR: The only thing that comes to mind would be my 21st birthday during a show in Paris with Nine Inch Nails. I was completely shocked when two strippers danced on both sides of me and dropped a cake on my head. You can see it on Youtube. People seem to find it funny.

(He’s referring to this video, which is NSFW. Thanks Youtube!)

TISD: Do you have a current music obsession at the moment? Favorite song on repeat or an album you can’t stop listening to?

IR: Lots of Depeche Mode. I’m late to everything when it comes to music so I’ve had a good time going through their catalogue.

TISD: Are there other challenges, instruments, experiences you want to tackle in the future during your career? What other plans do you have in mind?

IR: The challenge I’m most focused on and is most important to me is achieving my goals with The New Regime. It isn’t a side project to me and I really want to take it as far as humanly possible.

The New Regime just released a brand new video! Check out “Daydream” below and let us know what you think in the comments.

GP of the Week: Lenka brings the Show to SD

lenka_shadows_the_indie_sdGuilty pleasures aren’t that guilty if you’re proud of them, and trust me, I am always proud to share a pop artist who gets it right! And best of all, I’ve got you covered if you need something to do this weekend.

Lenka, who’s been on a first name basis with the world since beginning her solo music career, has been awfully busy since “The Show” put her on the pop music map.

She followed up her self-titled debut with the just as catchy and poppy Two, an album that may have suffered the “sophomore slump” . While it’s extremely fun and the lyrics are very smart, overall it’s lacking creativity and follows similar two-beat patterns throughout most of the songs. Here’s where this pop story becomes an uplifting tale. Lenka’s latest release, Shadows, seems to offer everything we were hoping for from her earlier release. Shadows offers diversity while painting a magical scene from the very start, with “Nothing Here But Love.” The entire album plays on atmospheric sensibilities that Lenka describes as “lullabies for adults”. But don’t expect to nod off after you hear how beautifully crafted and uplifting the album can be. Tunes like “Find a Way to You” and “Two Heartbeats” playfully bounce around in rhythms like an intricate music box, while dipping into minor keys at just the right moment to cause the perfect amount of tension. That tension is what makes this album Lenka’s deepest repertoire of songs yet.

Pop music that is deep. That is when any artist in any genre gets it right, and in my opinion, artists like Lenka should be the definition of great music.

If you want to hear all of this goodness live, you can catch Lenka this weekend at Soda Bar on Jun 2nd.

Little Hurricane, Big Sound

little_hurrican_the_indie_sd_pressThey say word of mouth is an amazing marketing tool. That could be proven true for Little Hurricane, since I knew about this group well before I ever heard a sound. San Diego’s bluesy indie darling has been making waves since 2010, and in that short time they’ve managed to carry out the near impossible: they’ve forged a path for their band that turned Little Hurricane into a large force to be admired.

Some people in the San Diego music scene might say that finding musicians on Craigslist just doesn’t work. Try and tell that to lead singer Anthony Catalano and drummer C.C. Spina. According to their Wikipedia page, that’s exactly how the duo got its humble beginnings, and just by taking a listen to the result, one could argue that it was fate. Fans of The Black Keys, The Dead Weather, and The Lumineers will absolutely adore the edgy, almost angsty approach to blues and folk that Little Hurricane has become synonymous for. Catalano pours his heart out in lyrics and style alike, with a voice that has mastered just the right amount of rasp. Spina is the perfect piece of the puzzle, and her eerily soothing vocals shine in duet style tracks like “Crocodile Tears” and “Give Em Hell”.

Related: Another San Diego star, Social Club

Their 2012 album Homewrecker lives up to its dramatic title, as it has the kind of music that will dilate your pupils and send goosebumps across your skin in the best way possible! Full of energy, intrigue, and even a little seduction, the songs are all unique enough to keep you entertained from beginning to end, yet can be intertwined into one mesmerizing bluesy story. Don’t believe me? I dare you to take the Little Hurricane challenge and listen (if you haven’t already), to see if a storm hasn’t grown inside of you by the last track. “Give Em Hell” is the perfect melodramatic conclusion to the album; the song is ominously uplifting, like the perfect villain’s soundtrack. Spina croons behind Anthony Catalano like the little voice in your ear or the little devil on your shoulder. This final track seems to wrap up the consciousness of the entire album with perfection.

I haven’t seen this band live — yet — but if their fan base is a testament to how amazing they are, then I’d bet money that Little Hurricane delivers when they’re on stage, as well. They’re now on tour, so check them out at the Belly Up this Friday May 31st in San Diego, or at any of their other tour dates.

Also at the Belly Up this Week: Trouble in the Wind

As an added treat, you can download a free mp3 via their website. Check out the video for “Haunted Heart” below.

GP of the Week: The Cataracs

This week’s Guilty Pleasure is just in time for the long Memorial Day Weekend. While I’m usually not one to jump right in to the dance and pop music scene, there are a few diamonds in the rough who prove that you can party and have a little musicality all at the same time. You’ve probably already heard The Cataracs from one of their many top singles, (“Like a G6“, “Bass Down Low“, and “Alcohol”, shown above, to name a few). Now you can catch producer and vocalist Niles “Cyrano” Hollowell-Dhar live at the Hard Rock Hotel’s Club 207 in San Diego. The best news is, the show is free if you add your name to the guest list.

Related: More Guilty Pleasures from The Indie…

Free party on Memorial Day Weekend with a hot, up and coming pop act? I’m in!

Even more free stuff on the radar: You can download The Cataracs’ latest single “Big Dipper” feat. Luciana via SoundCloud.

Indie’s Best Kept Secrets: Social Club

socialclub gamma rays san diego indie rock the indie sdEvery location, every situation, every scene has a “Best Kept Secret“. This past week, a friend said something to me that inspired the idea for this new feature. Each week, I’m going to showcase an extraordinary musician or band that is already doing big and amazing things with their craft. There are superstars in our very own backyard and we might not know it yet. Don’t worry, I’ll keep you in the loop, starting with the indie rock quartet Social Club.

I can still remember the day my mother gave me Coldplay’s Parachutes for Christmas.I remember squinting at the CD and thinking “Who is this?” The same could be said for Maroon 5’s Songs About Jane. Those were my first interactions with bands who would turn out to be amazing forces in the music industry. Everybody has a start, and just like the humble beginnings and initial “ah ha!” moments from those acts, San Diego has a few musicians who could inspire similar feelings of revelation. Little did I know, Parachutes was going to be a this-album-will-change-your-life kind of moment, and Songs About Jane is still a staple on my playlists to this day.

With that kind of introduction, enter So Cal rockers Social Club, the first band that I will feature in this series. When I heard their music over a year ago, I already knew that they were more than just talent. They had the kind of star power and energy that captivates you from the first listen. And in that short year, Social Club has managed to only further perfect their unique take on indie pop rock fusion, as seen on their debut album Gamma Rays. The smart rhythm sensibilities of drummer Jeff Litzman pulls the elements of the band together seamlessly; attention to detail soars through keyboardist Thea Tochihara and bassist James Spratley is right in step with the rhythm, driving the songs forward in an energy that is both listenable and danceable. (And yes, I said listenable. It’s a word and it highly applies in this case!)

Related: Sidewalk Serenades with Social Club

Add in lead vocals from John Levan, who sweetly croons in his upper register one moment while belting his heart out in the next, and you have a combination that I like to call sultry. Sultry is my absolute favorite quality in music, by the way. And Social Club is dripping with sultry goodness.

Their musicianship translates so well live that if you weren’t watching their instruments you’d swear they were playing the CD. And in this day and age, a band is only worth as much as it weighs live. Believe me, Social Club will not only command a stage, but also sound very good while doing it.

I would say I’m biased because I’ve had the chance to get to know these musicians over the past year, but I’m not the only one who sees and hears their talent. They were recently the winners of the MOFILM Texas competition, which sent them VIP style to headline an event at the South by Southwest Music Festival. But commendations aside, the music speaks for itself. Take a listen to Gamma Rays, available on iTunes, Amazon, and GooglePlay. Plus, you can get a free download of their single, “Slow Motion” via their website.

Check out this video for their song “Loosen Up”, produced by Helium Films USA.

Minus the Bear with the New Limb: Indie Spectacular

minus the bear the new limb ucsd price center san diego the indie sdEvery once in a while the ideal band combination comes around, and that moment has graced So Cal once again. On May 8th, The New Limb will be warming up the stage for headliners Minus the Bear, and it will be a match made in catchy-guitar-riff heaven!

Comprised of five musicians based out of California, The New Limb is kind of like an indie folk child if that child ran off and had a wonderfully adventurous affair with a rock star. With just the right amount of upbeat velocity and driving drum beats, coupled with an occasional penchant for electric riffs, this group creates one of those “sounds of the summer” — their mix tape INCONSISTENCIES boasts the kind of songs that can go on dance floors and on road trip playlists, alike. Most of the band members take turns tossing around vocals, seamlessly melding their voices in a chant one moment, or crooning over keyboards and tambourines in the next.

They’re quickly becoming a new favorite, and their sound is the perfect complement to Seattle-based Minus the Bear.

Related: Minus the Bear show review from the House of Blues

Definitely not new to the indie music scene, Minus the Bear has managed to amass a bit of a cult following, based partly on their unique sense of musicality, syncopated guitar melodies, and of course, lead singer Jake Snider’s famous affinity for serenading baby-making lyrics. But don’t let the sultry subject matter fool you — in the long haul, Minus the Bear is ready to get you on your feet and dancing, keeping the dynamics fun enough for a party, but mellow enough to simply enjoy the beautiful composition of it all.

You can check out both bands live on May 8th at the UCSD Price Center Ballroom, the biggest indoor venue on the campus. Tickets are available at the UCSD Price Center Box Office, and online at https://ucsdboxoffice.com/.

More Events: All Time Low, PYYRAMIDS, Cold War Kids and more…

Check out this latest animation video for Minus the Bear’s song “Listing”

More Videos: Interviews and latest singles from The Material, Carolina Liar and more…

 

Video: The Material talks keeping rock alive on new album

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The Material’s lead singer Colleen gives it her all each time she’s on stage.

In a sea of rock bands that are constantly pushing the line closer to pop, The Material prove that they’re here to stay in the alternative game. Being an independent band hasn’t stopped these San Diego locals from performing with the likes of Jimmy Eat World and My American Heart, and as I can tell from the interview we had at their CD release show earlier this month, it’s obvious that there’s even more rocking moments in store for them. They discussed everything about their new album, the interesting process of going into the studio and almost rewriting all of their songs, and what we can expect from them later on this year.

The entire band sat down with me at Soda Bar in San Diego and after comfortably taking up a whole booth, it was easy to see that this group of musicians has little to no problems working together. Colleen D’Agostino, the searing female vocals behind the Material’s music, had just the same edge as her male band mates, holding her own next to the guys as they discussed some of their experiences in the studio.

Guitarist John started off first, being very open and bright-eyed when he discussed some of the song writing and production processes of their latest album, Everything I Want to Say.

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Guitarist Roy performing at Soda Bar
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The Material bassist Jordan performing at Soda Bar

“Our previous producer, [Brian Grider], was San Diego based, … and we did our first few records with him.” John was referring to the Material’s freshman and sophomore  releases, Tomorrow and full-length What We Are, respectively. “He’s super meticulous, super talented, and it was very production heavy, … adding strings, adding synths, adding electric drums.” But anyone who compares the album What We Are with the latest release can probably pick up on a braver approach to their rock sound. John continues to say, “This record [Everything I Want to Say] we did with our friend Kyle Black, … and he came in to do pre-production with us which was the first time we’d ever done that. We had all these songs we thought were done and he came in and started switching everything up.”

It was a process that attempted to throw the five musicians for a loop, but paid off in the end with what could easily be described as a well-rounded, energetic, and rock-heavy album that offers versatility in each song. The Material succeeded in avoiding the dreaded “rock riff” curse of creating a handful of songs that all sound like one another — instead, they were able to do re-writes that gave each song a unique and palatable sound to the ear.

Lead singer Colleen explains that it wasn’t necessarily an easy task. “We just spent six months perfecting this song, we’re not changing it. But ultimately we realized [producer Kyle Black] wants the song to be just as good as we do. Thinking back we’re definitely really happy we listened to him.”

The group was in good hands, since Kyle Black has previously worked with Paramore, All Time Low, and Neon Trees, with most of those groups coming back for more. I asked the band if they planned to continue on the Road to Rock, or veer into the pop sound that many artists have defaulted to in this age, and John notes once again that their powerful rock sound is here to stay.

Related: All Time Low at SOMA Sidestage May 10th -11th

“With Dave Grohl putting out the Sound City documentary, it’s super inspiring to be like, ‘let’s just go and sound like five people playing in a room together.'” John says, after the group saw the lead singer of the Foo Fighters speak at his conference at South by Southwest.

Related: There goes my hero…He’s kind of a rock god.

Colleen adds that even though she came from a pop background, it’s inspiring to have a concrete sound and direction for the group. “Every album that we’ve done until now has been kind of straddling the rock and the pop thing.” She adds that her electronic side project, With Beating Hearts, gives her the opportunity to taste the best of both musical worlds. “I’m kind of channeling the pop/electronic stuff in that direction so I can allow myself to just focus on rock in [the Material].”

The Material is more focused than ever, and they rounded up a rambunctious group of fans and followers at their Soda Bar CD release show earlier this month. The crowd eagerly head-banged along with Colleen and the band as they played songs from their new album. The energetic force of a band this size is just a heavy reminder not to underestimate the power of the indie band. As Colleen told me that night, “We’re all on board to do something big and different and amazing.” And amazing it shall be!

More Videos: Carolina Liar at the Griffin

Keep checking the Material’s main site and Facebook page for an upcoming music video for their latest release, Everything I Want to Say! The album is available now on CD and iTunes.

Video by Roman Arriola for SnowGlobe Studios. Follow Snowglobe Studios on Instagram, Vimeo, and Twitter.

Imagine Dragons’ nearly sold out tour is our Guilty Pleasure of the Week

If you were looking forward to seeing up and coming indie darlings Atlas Genius and platinum-selling Imagine Dragons perform live this year, you might have to wait until next season — seeing as how the bands have currently sold out 19 dates on their tour. But there may be one more chance for Southern California to enjoy these two acts live…

Imagine Dragons performing live in Orlando. Photo courtesy Facebook
Imagine Dragons performing live in Orlando. Photo courtesy Facebook

I don’t think I could have predicted the amount of sold out dates on the Atlas Genius and Imagine Dragons tour this year, but it’s quite shocking. Hearing that the House of Blues San Diego was sold out made since: the venue really isn’t that big and these two bands are quickly outgrowing the smaller digs that they’ve selected for their tour. But upon further inspection, one will find that the bands have also sold out at least 19 dates, including shows in Boston, Portland, Anaheim, Canada and two dates in Chicago. Yowsa!

Tickets are still floating about on ticket resellers such as StubHub, which is great if you have anywhere between $114 to $350 to spare on one ticket alone. For most of us, that’s a little too steep for one night of fun, regardless of how much buzz these bands have generated. These resellers bring up the question of ticket scalping, making me wonder if this is some sort of inside job to monopolize the indie market on these bands. Ticket scalping is infamous for targeting big acts and major sporting events, but for two indie bands? It seems a little improbable. Or maybe that is my conspiracy theory side getting the best of me.

Regardless of all of this, there are still at least two chances for the Southern California crowd to see Imagine Dragons and Atlas Genius sometime before 2014. Tickets are still currently available for Santa Barbara and Bakersfield tour dates — and at the regular, face value price. That is, if you want to drive the approximate three hours to see them perform. (Honestly…I would and just might!)

But if those dates will turn out anything like the beginning of their tour, the tickets are sure to be gone very quickly.

In the meantime, there’s always the internet to quench your indie thirst for these two great acts. And with today’s release of Atlas Genius’ well anticipated full length album When It Was Now, you have all new goodies from this band, just waiting to be devoured.

Let us know in the comments below if you plan on attending one of the tour dates for Atlas Genius and Imagine Dragons!