If you’re single this year, don’t fret. Not everything is about chocolates, champagne and cheesy cards. There are a slew of amazing shows happening in San Diego, and you need to check them out. Who knows, maybe the person of your dreams will be waiting in the crowd? (Too cheesy? Yeah, let’s just focus on the music.) Continue reading Forget Valentine’s Day: Here’s what you should do this week
Tag Archives: new releases
The Theme Song This Week is mini JT, Luke Pickett – Free Download
It’s almost guaranteed that you’ve never heard of Luke Pickett, despite his immensely smart lyrics, flawless vocal range, and impressive aptitude for R&B. But after years of silence comes a new EP from this artist, and hopefully his under-the-radar music is about to come out into the spotlight. Continue reading The Theme Song This Week is mini JT, Luke Pickett – Free Download
You’ll be surprised by Butchers of Sky Valley
Trust me, Butchers of Sky Valley is not what you are expecting. With a band name that already commands a precedence, it’s easy to think that this New York based group is going to melt some faces. But what their music actually does is melt the barriers of psychedelic rock.
According to lead singer Mike Mokotow, a band name shifts once you get to know the music. (Which couldn’t be more true — after all, most of us worship a band called The Beatles). Diving into the repertoire of Butchers of Sky Valley is no exception to this rule. With a bluesy attitude, relaxed and cool 70s inspired vocals, and guitar riffs for days, these guys create a nostalgic feel to their music that sings out to the listener from beginning to end.
Their end goal is to join many elements into one album, not just reciting the same lyrics and recycling the same riffs over and over, but instead transcending above the expected and tossing their listeners a curve ball every once in a while. And though there is a very particular sound across most of their songs, the multiple influences of Butchers of Sky Valley can still be heard.
At times, the music overpowers the vocals – guitars are shredding and drums are beating out movable cadences, while the vocals lazily croon over the top, creating an interesting lesson in contrast. But at the end of the day, lovers of throwback rockers like The Black Keys and Gary Clark Jr, and legends such as Fleetwood Mac, will enjoy Butchers of Sky Valley.
Speaking of Fleetwood Mac, Mokotow cites the iconic group as being a heavy influence for him. (Most notably their third studio album, Then Play On.) He also unabashedly discusses the beauty of jazz and blues, and even states that the band’s self-titled album cover is an homage to the “cool, sweet, gritty look” of old jazz records.
More Bluesy Soulful Rock: Caught a Ghost is reviving the spirits of soul
Words can only describe the music so much, so take a listen and let me know what you think. Though this group is based in New York, they have exciting tour plans in the works for 2014. Let’s cross our fingers for some west coast dates!
Butchers of Sky Valley have released their self-titled album, and it’s available via iTunes and all other digital media outlets.
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Brandon Boyd’s mystifying new solo project
The tune this week is a song in which I literally cannot stop hitting the “repeat” button. Brandon Boyd has proven to be a musical chameleon over the years, whether you’re following the flowing discography of Incubus or taking a look at his own solo work and artwork. However, he may have outdone himself with latest project, Sons of the Sea, an electrical symphony of love songs that inspire clarity and sometimes even sex appeal.
Sons of the Sea began very quietly as a duo between Boyd and multi-instrumentalist Brendan O’Brien; with a few lyric videos here and there, and an EP, Compass, released on a record label that apparently doesn’t really show up in a Google search. Boyd has never had to prove his humbleness, since even though Incubus has penned some iconic songs, they still give regularly to charities via the Make Yourself Foundation, and they’re even not afraid to meet and greet with a fan or two; however, the small ripple of Sons of the Sea’s release is a sheer testament to Boyd’s lack of interest in fanfare.
Ironically, you could juxtapose Boyd’s personal humility with his music, which offers searing vocals, clear melodies, composition with depth and mood, and lyrical lessons worth listening to. In particular, the tune “Lady Black” is a completely enchanting track which powers through a love story that is observant and sincere. The choice of music to escort this age-old tale of unrequited love has the perfect intensity, as the entire track leaves an eerily adventurous vibe in my ears and a few goosebumps on my skin. The good kind of goosebumps. You know, the ones you get when someone whispers something amazing to you. Yeah, those kind of goosebumps!
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“If love goes unrequited, can we really call it love? Do I hang on? Or should I let go?” Lyrics to live by, even if they are posed as a question. It’s a question that we all have to ask ourselves, and even Incubus frontman Brandon Boyd is not immune to the powerful feelings of uncertainty in love. Sons of the Sea is a continuation of Boyd’s brilliance, and I hope he will carry on with this project in the future, because I know I’m definitely not letting go.
What do you think? Let me know in the comments, below!
Viv and the Revival: Revved up Rock
The world could use a little more guitar, and pop rock project Viv and the Revival agree. According to the artist’s social media pages, he introduces himself as Viv and labels anyone who enjoys music as “The Revival.” What revival is he referring to exactly? A modern restoration of rock, perhaps? The answers may lie in his latest album The Introduction, out October 8th, which features that trademark sound of riff-inspired music with catchy, poppy melodies and themes. The album definitely offers upbeat, energetic danceability (that better be a word!); and while it leans more on the pop side than any other genre, the heavy influences are still mixed in here and there across the album. And all of this comes from a musician who very humbly accepts and appreciates every one of his fans, which makes me want to say, “rock on, revivalists!”
The Indie writer Toni Rivera spoke with Viv from Viv and the Revival about his upcoming new album and what the current music industry means to a rock artist like himself.
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TheIndieSD: What is your favorite song that you have recorded?
My favorite is probably “Criminals” which is on my new album “The Introduction”.
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TISD: You have a new album “The Introduction” coming out on October 8th. What should we expect from the album? How will it allow us to get to know you and your music?
It’s a big record with a lot of universal themes in it. Everyone can relate to the lyrics and see themselves in the songs. I poured my heart and soul into this album and the things I talk about are very important to me, so the lyrics will allow everyone to get to know me.
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TISD: How was it recording the album?
It was an adventure. I learned so much about music and songwriting throughout this whole process and grew a ton as an artist. I became a different person since the completion of this record.
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TISD: If you could create a duet or collaboration with any artist/band, who would it be? Why?
My number one would have been either Michael Jackson or Bob Marley, but from all of the amazing people out now, maybe someone like Adele or 30 Seconds to Mars. They’re just so talented and I really admire the message in their songs.
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TISD: What inspires you to create music?
Everything inspires me. Everything about life and the world makes me want to be creative and say the things that are on my mind.
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TISD: How do you feel about being a musician in today’s world?
It’s a really special time I think to be a musician. Things have changed but there is so much amazing music at everyone’s fingertips. You can find 50 new bands everyday that you end up loving. I do wish that live shows still had as much importance as they did back in the day. I think that’s where you really get to know and understand an artist or band, when you see them bare their soul live.
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TISD: What things do you take from your personal life and put into your music?
I don’t write about personal things, but I write about universal topics that matter to me. Topics that everyone can relate to. I’m sure a lot of personal things end up coming out somehow though on my songs without me even realizing it. It’s like subconscious therapy.
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TISD: There are a lot of things going on in the world and some artists are taking on these themes, such as Macklemore with his song about same sex marriage and Boyce Avenue with a song about suicide. How do the things going on in the world affect you and your music?
Everything affects my music. I try to be open and compassionate, and once you let your guard down, you’re vulnerable and can truly write from your heart.
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TISD: Do you remember your first concert? How did it affect you?
Well my dad is a professional drummer so I’ve been going to concerts since I was a little kid. The first big concerts that I went to were in high school, seeing Tom Petty, Incubus, The Used, a bunch of bands. Every time the lights went down right before the show started, I would get these chills and goosebumps and I would just say to myself, “you have to do this!”
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TISD: How do your fans impact you?
My fans are amazing! They have supported me from the very beginning and have grown and changed along with me. They’re the reason why I do this.
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TISD: What’s one thing you would want to say to everyone who’s supported you?
From the bottom of my heart, I can’t even thank you enough for the support! It truly means the world to me, and I don’t know where I would be without all of you, so thank you!
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Now with four EP’s under his belt, national television recognition, and a full-length album released soon, Viv and the Revival is set to leave a mark this year. According to his bio, when asked about his Revival, Viv stated:
“I was feeling rundown with music and was searching for something. When I found that passion reignited, it felt like a revival for me – a new start and it was super important for me to get that message out. Every day, you can achieve whatever you want to, be who you want to be, and do what you want. There’s no limit to how good someone can be. This is the Revival. We’re all here to make a big noise. We’re all here to shake things up. We’re all here to change the world. This is your moment, this is your time, this is your world, and this is your Revival.”
Become a part of the Revival and preview the upcoming album, The Introduction, below. And follow their website or Facebook page for official updates! Let us know what you think in the comments below!
The Frail prove to be strong indie pop!
Do you need a new obsession in your life? Well good news, The Frail have just released a new music video, and they’re continuing to steal the hearts of fans everywhere in the process.Modern music never ceases to amaze me, because in a world where people claim “nothing is original” there are bands like The Frail, continuing to push those boundaries and create catchy, unique music.
And their fans must agree, because after a very successful Kickstarter to fund their latest music video, the final product was released to brilliantly warm reception.
We got the chance to speak with The Frail about their genre-bending tunes, couch surfing in Bankers Hill (yes, really!), and what to expect from their full length album, LoveDeathLegend — to be released soon!
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TheIndieSD.com: I love the classical influence on the song “Count on This”. How did you come up with this idea?
The idea of blending classical French music with electronic music seemed so perfect at the time. It created a bitter sweet/uplifting feel to it.
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TISD: To say that your music defies traditional genre boundaries is very true! Where do you draw influences from when you’re writing or in the studio?
Well in the past it was just Kevin and I emailing back and forth writing parts and singing and mapping out the songs. But now we work with Different Fur Studio owner and producer Patrick Brown on a lot of the newer material. We listen to a lot of different pop music, and then bands like M83, The Drums, Phoenix, Kavinsky, Queen, really all over the place!
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TISD: You’ve already had the chance to tour with some amazing acts (Moby, Hot Chip, Justice). Are there any other artists that you’d love to have the opportunity to share the stage with in the future?
We’ve been listening to a lot of bands like The Neighbourhood, Delorean, Phoenix, Two Door Cinema Club, any of those would be awesome! (We’re here and ready wink wink nudge nudge)
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TISD: Tell me about some of the amazing shows you’ve had recently. Any really memorable moments on stage so far?
One really awesome show we played recently was in our hometown of San Francisco at The Great American Music Hall. We have always wanted to play there but never really had the opportunity pop up until a couple months ago. That place is legendary and we were able to play with some amazing friends: Doe Eye, Tremor Low, and of course our very good friends Parallels (We were on a mini tour with them at the time). It was definitely a highlight!
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TISD: The Firefly EP is magical, in my opinion. Your sound is definitely unique and inspiring. What can your fans expect from your future full length release, LoveDeathLegend? Will you be expanding on and exploring even more upbeat genres and themes?
Well we have really pushed forward with our musical style in regards to LoveDeathLegend. I think it touches on some of the older material while really pushing us a bit further in the pop genre. LoveDeathLegend has a lot more live instrumentation and everything sound a lot bigger than the older records. Expect a fun record that pushes our music to a place it hadn’t really been before.
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TISD: Which song is the very first song you wrote for The Frail?
It’s a toss up between “Who Am I” and “Count On This”, both on the Count On This EP on Tricycle Records :)!
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TISD: Being that you found each other on Craigslist, how was the band dynamic when you first started to create music? How quickly did you fall into your groove when you started writing with each other?
Kevin and I have a weird way of knowing what each other are thinking musically. It was really basic at first. Kevin had written a few tracks and we adjusted the structure of those songs together to make them fit vocals. From there we really started songs, we were both writing back and forth and it kind of fell into place. Being that we are a full band it’s a bit more challenging but definitely produces a well rounded sound at this point. It’s always a work in progress though and we are always looking to improve our songwriting or reach new heights.
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TISD: Your latest video “Back to Me” had a very successful Kickstarter campaign backing it up. How does it feel to have such steady fans and heavy support for your music?
We feel extremely lucky that we’ve had supporters on both Kickstarter & Indiegogo! We really couldn’t have done any of this without them, so needless to say without them we wouldn’t be anywhere. So they are the ones that control this band and we are so grateful to have them be apart of this.
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TISD: And the end product is amazing, by the way. There seem to be a lot of deeper themes covered in the video. How did you go about making this video? What stories did you want to depict in this video?
Well the song is about a time in my life when I was actually dating someone in San Diego and practically living on a friend’s couch in Bankers Hill. It was a leap of faith kind of thing and definitely eye opening. The video took the pieces of the song that reflect that. Wanting to be somewhere else and just going for it while trying to escape what you called home before. We really really love San Diego by the way. (Shout out to Marshall)
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TISD: What do you hope to achieve in 2014? How do you hope fans will react to LoveDeathLegend?
Well we hope to have released LoveDeathLegend by then and to be on the road non stop. We are actually headed back into the studio in November to work on new material with Patrick at Different Fur. So you might even see an EP before the full length. We’re just having fun playing shows and writing music. As far as the reception to LoveDeathLegend goes, we hope people like it. It’s pretty different from all our other material and touches a lot of different genres so we think there’s a little something for everyone in it!
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Make sure to follow The Frail via their official site or their Facebook page for updates on the new album, LoveDeathLegend. And let us know what you think of their video in the comments below.
The Indie Revolution: will Arcade Fire dominate again?
Recently, indie artists and independent labels have dominated the music world and proven that the little guys can acquire big fame, too. But despite all of this, many still wonder if independent music can continue to grow, or if a lot of these instances were simply “the right song at the right time”. And if it’s the latter, do we know if independent bands such as Arcade Fire will continue to gain recognition, or turn themselves into one hit wonders manipulated by mainstream media?
Related: Tears for Fears covers Arcade Fire’s “Ready to Start”
Independent artists and labels already have one thing going for them: they’re allowed to focus on sheer talent. Perhaps major labels are so used to racking in money and using a lot of that money to fuel expensive tours and production costs, they’ve grown too big to allow error. They can’t take the time to focus on an artist who might be good but won’t make any money — or else they’re out billions.
Can you imagine being out of billions of dollars because you decided to sign nothing but really talented artists for, let’s say for sake of argument, a year? That’s the world of big media. If it isn’t making them money, they simply don’t have time for it. And so continues the well oiled machine.
This could be why independent artists are having such a great decade. These acts are able to reach markets and achieve greatness that before did not come easily without the backing of a major label: from Macklemore, who set unprecedented records for an independent artist on the Billboard charts, to Arcade Fire winning Album of the Year at the 2011 Grammys and Mumford & Sons claiming the award this year. (Majority of the Grammy Album of the Year winners and Nominees are definitely on major labels.) And they’re doing it because the public really loves good music.
More Indie Labels: Easy Killer Records promises diversity and dedication
Most people like to argue that pop music ruined the creative, talented music market. I don’t believe one genre came in and wrecked it for everyone. I believe in cycles. In the 70s, disco haters might have come to the same conclusion, spurning the fad and citing it for ruining the time of 60s singer and songwriters.
The same could be said of heavy metal and nu-metal, both of which dominated mainstream charts in the 90s following the era of the 80s R&B revival and the “golden age of hip hop”.
My point is, popular music and fads will always be there. But so will the fearless, talented, and modern music makers who are passionate about the craft of creating a song. We’re lucky to have a market that has finally opened up to the “little guys”, so we can see independent labels create sell-out shows, unsigned hip hop artists make thousands on their own mix tapes, and yes, indie rock bands beat out millionaires to win a Grammy, effectively making them not so little anymore.
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So far, Arcade Fire is stirring up very deep conversations about their release today, “Reflektor”
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What do you think about this? Do you think independent music will continue to have its glory in the bigger music market? Or will the mainstream media take over again someday and shut them out?
Addy G’s debut EP offers bold, surprising & witty hip hop
San Diego based musician Addy G has just released a new hip hop EP, Opiate Soup, and the style and subject matter may remind you of a previously fluent time in rap’s history. His EP is occasionally a nod to 90s hip hop thoroughfare while also offering witty and modern one-liners that reference anything from cartoons to Star Wars. Though a bit unpredictable at times, his style is clear, and it does a good job of leaving a few jaws open after just one listen. Addy G is adding to his musical resume, and with a recent move to Los Angeles, he’s ready to take on even bigger hurdles on his quest to further his music career.
Below, we discussed his influences and what draws him to the often shocking, heavily drug-laden, and quick-witted subject matter of the Opiate Soup EP.
TheIndieSD: When did you start writing?
I’ve been writing for as long as I can remember. I attempted to rap in high school but I ended up getting made fun of because I wasn’t very popular. Some kids played my earliest material at the Homecoming game for the whole school to hear and even though a lot of people thought it was cool those fuckers still did it to make fun of me. After that experience, I decided that I would really take the time to find my niche and style and come back full force with shit that people would find tight and love.
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TISD: Why does hip hop and rap appeal to you? What do you relate to the most about these genres of music?
Hip hop and rap are alluring because you have the ability to create a persona or put forth a personality that, in the real world, may not be practical. It’s almost like living a fantasy and tapping into that feeling is amazing. I love words. I love playing with words. And I play with words in a very specific way; my syntax is unique. One of the main reasons I love hip hop so much is that I get to see what other people do with words and what those words mean to them…it provides perspectives that aren’t normally available. There’s a give and take, like an interaction between the listener and artist, that’s present in hip hop, which is not as prevalent in other genres of music. Lyrics mean different things to different people, and how an individual interprets a given line or song is always interesting to observe.
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TISD: Being a drummer as well, do you prefer drumming or rapping?
Damn that’s a brutal question to which I have no answer. I will say that I view rapping as “drumming with words,” in that each syllable is a note, and that’s one of the reasons I am drawn to rapping.
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TISD: You’re making a big move to LA soon! Will you be taking on a part of the LA music scene?
Hell to the yes. Well, I’ll be attending law school at USC, so however much time I have to spare will be spent pursuing music.
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TISD: How do you balance your music with other obligations?
It’s all about time management and what’s important to you. If you truly love something, you will find a way to make time for it. For me, hip hop is not always a passion I can spend every hour of every day on, but I make sure to keep time allotted to write and record.
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TISD: Do you think image ties into an artist’s importance? What is your opinion of your own image when it comes to your music?
Image is so critical! I feel like I’m still in the early stages of developing my image so I don’t know where I’ll be by the time I drop my full length album.
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TISD: What do you think makes “good” music?
I think the biggest thing is a genuine motivation to do something significant and impact people’s lives. People who do music for pussy, money or fame always end up falling short and it seriously comes through in their music.
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TISD: Do you have a favorite SD venue or favorite performance so far?
The Casbah in San Diego remains to this day my favorite venue to play. I’ve been on stage there 3 times so far, and I absolutely love it.
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TISD: There are a lot of drug references in your music. Do you have experience with drugs? What inspires these themes in your music? Why have you chosen the world of drugs as a central theme for the EP?
I do have experience(s) with drugs. My music is always reminiscent of what’s going on in my life, and for the past two years I’ve been having significant health problems that have required me to be on painkillers. Drugs are fine in moderation, but I think the problem comes when it becomes a lifestyle rather than recreation. Being on pain pills for as long as I have, I have felt the irresistible lure of making them a priority and having that be a part of my lifestyle and it’s really difficult when you’re on them for so long not become addicted [sic]. I think speaking about my experiences and being honest helps me deal with it in a healthy way. My mentality about drugs has always been, “if it comes from the planet, than go for it. If it’s a man made drug, stay the fuck away.” Following that vein, I’m a huge proponent of marijuana. You might see me in public with my eyes red, cheesin’ for no reason.
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TISD: Your bio mentions there are a lot of 90s references in your music. Were you creating a nostalgic EP that reminds listeners of the hip hop of that era? What 90s artists influence your music the most? (Other than the obvious, which can definitely be said is Eminem — agree or disagree?)
Well, when it says “90s references,” it means references in my lyrics to big things in the 90s like Pokemon, Power Rangers or Rugrats – basically my childhood. However, you do bring up a good point about my music being stylistically a throwback. I didn’t set out to create a nostalgic EP, but I feel like in the 90s, hip hop was focused way more on the lyrics and content which is just now starting to make a resurgence today. I think the reason it feels like its from the 90s is because I set out to make music that is intelligent and lyrically focused, and that was the main quality of rap in the 90s.
I take that as a compliment that my music is like old school Eminem. I love his music, especially the Marshall Mathers LP.
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TISD: How would you explain your subject matter and your songs to someone who is listening to it for the first time?
I wouldn’t try to. I would just let them listen to it themselves and make their own evaluation. What I think about my music should not affect what you think of it, and vice versa. Like I mentioned earlier, there is an interaction between listener and artist, and its up to the listener what they take away from my music. I wouldn’t dare sully that relationship by prefacing my music with any sort of explanation.
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TISD: The track Gangster Rough contains a lot of dark imagery, including violence. How much of this is based on your own personal opinions of violence?
Being Indian, I am a huge Gandhi fan. Violence is something that’s not really in my nature, but I definitely have thoughts about acting that way. Rapping about it is a way to deal with those urges in a healthy manner, rather than actually going out and doing something harmful. At the end of the day though, a woman should never be hit by a man. Unless she doesn’t make me a sammich.
By the way, Jamie Rose did an absolutely amazing job on this track. Her voice is so fucking sexy. She is the front woman for a band called SXO, so make sure you check them out.
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TISD: “Drug Abuse” is probably the biggest ode to the 90s on the album, agree or disagree?
Debatable – that song was really influenced by Eminem’s song, “Drug Ballad,” which was on the Marshall Mathers LP, from 2000. I wanted to do a song like that where people could listen to it and be like, “damn this kid is insane.” But I feel like it’s truly infectious and Jimmy did a great job on the hook we wrote. Jimmy’s hook definitely has that 90s feel to it, but I don’t think by any means that “Drug Abuse” is an ode to an entire era of music.
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TISD: At the end of “Drug Abuse”, Patterson sings “And if this world is mine, then I better tell the truth. And if I ever lie, I’m guilty of abuse.” What is the story or the meaning behind that powerful line?
There are a few things happening with that line – first, the literal meaning of the lyrics has to do with the nature of an addict, where lying is prevalent and pervasive. If I’m going to accomplish things in life, I can’t be a drug addict, which means I’ll tell the truth. If I lie, then you know that I’m hiding something. In a more personal sense, this song has a lot to do with my fear of not being successful in life. I’m starting law school this month at USC, and my potential is sky high. The lyrics in the verses have to do with having fun on drugs, and the chorus is a stark contrast to show what the cost of that fun is. The song represents my personal fear of not achieving my potential due to the consumption of drugs. Like I said, I’ve been on painkillers for a long time, and I’m very scared that I will fail in law school because of drugs.
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TISD: What do you want fans to take from your music as a whole?
I want to create music that is absolutely jaw dropping. I want people to laugh and groan and be impressed. I want listeners to be like, “oh FUCK” when I spit a line that hits hard. I want my lyrics to be complex and deep enough to the point where a listener won’t get everything on the first listen. The more they listen to the track, the more they’ll pick up on and the more they’ll get out of it. In my mind, that’s what creates longevity and replayability [sic] in a song. And I think that with these first four tracks, I’ve accomplished that. If someone likes them enough to keep listening, they’ll keep understanding more and more things that they may have missed before. I want my tracks to keep on giving.
The Opiate Soup EP is now available via iTunes and CD Baby. Take a listen to the tracks below or on his Facebook and let us know what you think in the comment section!
Atmosphere talks tour with Slightly Stoopid, ‘Bob Seger’
There are a slew of events this week hoping to catch the attention of San Diego locals and tourist alike; however, none have the same esteem as this Saturday’s tour stop with Slightly Stoopid and Atmosphere. Here, we got the chance to talk with Atmosphere about their music, how they view the industry as a whole, and what we can expect from the always adept and insightful indie hip hop group.
The answers may surprise you, if you’re not a behind-the-scenes kind of person and haven’t already learned personal details about the group. DJ/producer Ant (Anthony Davis) has been described as a melody aficionado, who keeps the music true to Atmosphere’s style without letting the act become stale or redundant. The other half of this duo, rapper Slug (Sean Daley), according to Billboard.com has “polarized the indie rap underground”; words that create really big shoes to walk in.
But the group fits those shoes and struts in them, and they do it with a “swagger” that is nothing like what you expect from the pop/rap machines evolving today; instead, their music breeds curiosity, character, and lyrical intrigue from their fans, making Atmosphere at many times a great hip hop storyteller.
Surprisingly, Slug offers a little humor and possibly a tinge of sarcasm in his responses, showing either a playful side, or maybe a slightly exasperated view of the music industry. Perhaps the contents of their currently untitled 2013 release will offer the whole story, since in my opinion, his rhymes speaks much louder than his words. And in the hip hop world, that can definitely be a good thing.
But, all that being said, if you are curious to read those words, take a tiny peak inside the mind of Atmosphere with the full interview below.
TheIndieSD: How is the tour going with Slightly Stoopid? Any favorite cities so far?
So far it’s been absolutely great. Slightly Stoopid are great dudes, and they have an amazing crew. I don’t really do the favorite city thing. But for the sake of your piece, let’s say that San Diego is the greatest city in the galaxy.
TISD: Atmosphere has been known as a heavily touring act. Do you prefer being on the road or being in the studio?
I have a healthy love for both the studio and the road. If I had to choose one, I’d choose the studio. I like watching the birth of songs.
TISD: What can your fans expect from your tour experience this year that may be different than previous tours?
Full frontal.
TISD: There are a lot of bigger venues on the Kickin Up Dust Tour. With these big venues, do you get moments to meet and connect with a few fans?
Not as much as I am accustomed to. But yes, there are moments of personal connection. Once I discover how to be in multiple places at once, I’ll be better equipped to meet as many people as possible.
TISD: Tell me about the mood behind your latest single, “Bob Seger”. (Which is my latest favorite thing, by the way.)
This song’s mood = Moon buzz.
TISD: You’ve explored many different phases of writing styles throughout all of Atmosphere’s releases. Can fans expect to hear previous themes and moods on the new album?
I’m not a fan of expectations. So I’m not really sure how to answer this. I suppose you could expect some sarcasm. Maybe a little bit of wrestling with insecurities. A touch of preachiness.
TISD: What goes through your mind when you’re writing?
Coffee.
TISD: In the past, you’ve mentioned reservations on expressing your opinions in your lyrics. Do you still feel that way? Do you write as a way to release or share your emotions?
I don’t remember ever mentioning that, but I fully believe you. I mostly write for fun. To make Anthony and myself laugh and react.
TISD: “Mainstream” rap has changed drastically, but groups and artists such as Atmosphere are still creating music independently with deep hip hop roots. In your opinion, has hip hop changed or is it the same, just not as “commercial” anymore?
In my faulty opinion, it’s the same as it ever was. As long as older people are scared of rap, rap is doing fine.
TISD: If there was one thing you could change about the music industry, what would it be?
I don’t care enough about the music industry to try to change it. We will do what we love regardless of what this industry does. However, with that said, speaking solely for myself, if I could change something, I would make it mandatory for everyone to stop wearing cologne and perfume.
TISD: What genres does Atmosphere pull inspiration from? What artists or songs can be found on your personal playlists?
Willie Nelson and Tom Waits.
TISD: On your Facebook, you updated with “No rapper needs to write about the struggles of being a rapper.” Interesting and profound quote! Is there any story behind this line?
No story. Rappers who rap to other rappers about how hard it is to be a rapper should stop rapping.
Straight to the point. Check out Atmosphere live this Saturday at the Sleep Train Amphitheater, and also hear their latest single, “Bob Seger” (which is also available on iTunes) below. Let me know what you think in the comments!
Mandolyn Mae is the next artist you need to know
There are some really amazing albums coming out next week, and one of them is by indie pop darling Mandolyn Mae. She exudes a delicate, honest approach to music that makes her tunes both heartfelt and hauntingly emotional. Not only is she capable of tackling her favorite hardcore songs and giving them a completely different approach, but also, Mandolyn Mae is dedicated and inspiring, two traits that resonate beautifully through her work. Below, she discusses exactly what inspires her the most, her intense love for Beyonce, and what we can expect from this budding musician, as she gets ready for her full length album, Once, to arrive next week.
TheIndieSD: How did you go about choosing the cover songs for your EP Cover2Cover?
Mandolyn Mae: People wouldn’t peg me as a hardcore music listener, but I’ve been listening to heavy music since I was 12. So when we were trying to decide which songs to do I thought I’d pick from songs that I love. There is also a very large diversity in the songs I chose so we could reach people that were in different age ranges. Like the guys that grew up on Further Seems Forever and the guys like me who grew up on Underoath.
TISD: Why did you decide to start off with a cover album? Was it a project that you always wanted to do?
MM: I actually didn’t start out with a cover album! My very first step into the music world was an EP of all originals called “The Thief”. It’s not online or anything, you can only get it at my shows [so] not many people know about it. But why I chose to do this cover album was because my dad was a hardcore music producer and my very first concert was at a hardcore show with the full on moshing and everything! That was when I was 13. Anyway, when we sat down to think about what my next music step would be it seemed fitting that we would do something out of the box but also something really close to my heart. It was REALLY fun recreating these songs!
Mae’s rendition of Of Mice & Men’s “Second & Sebring” is the perfect example of how to recreate a song.
TISD: What musical experience did you have before Cover2Cover. When did you first start performing and songwriting, and what was that like?
MM: Well my first tour that I went on was with Alive In Standby and Trees Above Mandalay and that was SO much fun. They’re all such fun, sweet and professional guys. It was definitely a great first tour for me to be on. Then after that I was on a little bit of a tour with Sparks the Rescue, Rookie of the Year, Jimmie Deghan and my friend Tidewater and that was awesome as well. I loved being on the road with all of those guys. Those were both before Cover2Cover.
TISD: What inspires your songwriting process the most?
MM: My faith is a huge deal to me, so I’d say that that’s a big part of my inspiration. God has held my hand through every moment in my life, both good and bad, and why would I NOT want to share that, you know? Love also inspires. Being loved is something that every person desires so I’d be lying if I said that it didn’t inspire me.
TISD: Your single “Hurricane” is particularly uplifting! Are you inspired by your religion when you write songs?
MM: Yes I very much am. Like I said in the previous question, I love sharing the story of how I’ve done none of this on my own; I’ve been lead. God shows up in the most inconvenient times sometimes, but it changed you forever.
TISD: Are there any artists that you really want to collaborate with or plan to collaborate with in the near future?
MM: Well I don’t know of any future collaborations, but my DREAM collaboration would be with Dallas Green of City and Colour. He’s such a musical inspiration to me, plus he’s a fellow Canadian, so that’s a plus. His writing is ridiculously incredible. I’ve always said that he can break my heart and put it back together all in one song. If you can do that to somebody, you’re doing music right.
TISD: Who are some of your biggest musical influences?
MM: Ah! So many! Dallas Green is a huge one. Mat Kearney, Ellie Goulding and Jeff Buckley. Oh, and can I just say I also have an intense love for Beyonce? She’s like my ideal self. If I were a diva and were married to Jay-Z. Like I don’t want to be her in the creepy/stalker way, I want to be like her in the sweet, loving and kind way. You know what I’m talking about!
TISD: I know you play the ukulele on stage quite often. Are there any other instruments you play and incorporate into your music or your live performances?
MM: Well, kind of. I dabble in the world of keys but I wouldn’t classify myself as a “keys player” quite yet. I do have a wonderful fella that plays beside me at almost every show and we double up on ukuleles and that’s always so much fun!
TISD: You had the chance to perform at SXSW as a part of their acoustic series. Tell me about that experience! What kind of reception did you see for your music?
MM: SXSW was so much fun!! I didn’t really get to see much of it because we drove down, then drove back home and that’s like a 13 hours drive both ways, but what I did see was amazing. So many people that loved every kind of music. It was incredible. What was really fun for me was the night before I played, City and Colour played across the street. I wanted to kiss the ground. Such a fun experience and people seemed to like what I was doing as well. It’s an incredible memory that I’m going to be holding onto for a long time.
TISD: I believe Warped Tour is up next for you. Are you excited about the tour? Will you be speaking with and meeting your fans while you are there?
MM: Yes! I will be playing in Kansas City July 23 and then St. Louis the 24. I’m insanely excited!! I would absolutely love to meet people while I’m there. That’ll be the best part!
TISD: What do you have planned after Warped Tour?
MM: As of now everything is kind of up in the air, but hopefully something soon!
Mandolyn Mae’s next release, Once, will be out next week via Easy Killer Records. In the meantime, preview the album by listening to the beautiful track “The Only Person Alive” at GuitarWorld.com.
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