Guilty pleasures aren’t that guilty if you’re proud of them, and trust me, I am always proud to share a pop artist who gets it right! And best of all, I’ve got you covered if you need something to do this weekend.
Lenka, who’s been on a first name basis with the world since beginning her solo music career, has been awfully busy since “The Show” put her on the pop music map.
She followed up her self-titled debut with the just as catchy and poppy Two, an album that may have suffered the “sophomore slump” . While it’s extremely fun and the lyrics are very smart, overall it’s lacking creativity and follows similar two-beat patterns throughout most of the songs. Here’s where this pop story becomes an uplifting tale. Lenka’s latest release, Shadows, seems to offer everything we were hoping for from her earlier release. Shadows offers diversity while painting a magical scene from the very start, with “Nothing Here But Love.” The entire album plays on atmospheric sensibilities that Lenka describes as “lullabies for adults”. But don’t expect to nod off after you hear how beautifully crafted and uplifting the album can be. Tunes like “Find a Way to You” and “Two Heartbeats” playfully bounce around in rhythms like an intricate music box, while dipping into minor keys at just the right moment to cause the perfect amount of tension. That tension is what makes this album Lenka’s deepest repertoire of songs yet.
Pop music that is deep. That is when any artist in any genre gets it right, and in my opinion, artists like Lenka should be the definition of great music.
They say word of mouth is an amazing marketing tool. That could be proven true for Little Hurricane, since I knew about this group well before I ever heard a sound. San Diego’s bluesy indie darling has been making waves since 2010, and in that short time they’ve managed to carry out the near impossible: they’ve forged a path for their band that turned Little Hurricane into a large force to be admired.
Some people in the San Diego music scene might say that finding musicians on Craigslist just doesn’t work. Try and tell that to lead singer Anthony Catalano and drummer C.C. Spina. According to their Wikipedia page, that’s exactly how the duo got its humble beginnings, and just by taking a listen to the result, one could argue that it was fate. Fans of The Black Keys, The Dead Weather, and The Lumineers will absolutely adore the edgy, almost angsty approach to blues and folk that Little Hurricane has become synonymous for. Catalano pours his heart out in lyrics and style alike, with a voice that has mastered just the right amount of rasp. Spina is the perfect piece of the puzzle, and her eerily soothing vocals shine in duet style tracks like “Crocodile Tears” and “Give Em Hell”.
Their 2012 album Homewrecker lives up to its dramatic title, as it has the kind of music that will dilate your pupils and send goosebumps across your skin in the best way possible! Full of energy, intrigue, and even a little seduction, the songs are all unique enough to keep you entertained from beginning to end, yet can be intertwined into one mesmerizing bluesy story. Don’t believe me? I dare you to take the Little Hurricane challenge and listen (if you haven’t already), to see if a storm hasn’t grown inside of you by the last track. “Give Em Hell” is the perfect melodramatic conclusion to the album; the song is ominously uplifting, like the perfect villain’s soundtrack. Spina croons behind Anthony Catalano like the little voice in your ear or the little devil on your shoulder. This final track seems to wrap up the consciousness of the entire album with perfection.
I haven’t seen this band live — yet — but if their fan base is a testament to how amazing they are, then I’d bet money that Little Hurricane delivers when they’re on stage, as well. They’re now on tour, so check them out at the Belly Up this Friday May 31st in San Diego, or at any of their other tour dates.
Warped Tour is coming around again and there’s five really important reasons why you should be there. Yes, there are a slew of teenagers there. Yes, there are a slew of jackasses, too. Yes, the band lineup can get very predictable. But there’s more to Warped Tour, and if you even remotely like some of the music there, you’re bound to have a good time. Here’s why:
1. Fulfill your Peter Pan syndrome. I don’t want to grow up! Who does? Warped Tour is the perfect place to forget that you’re an adult and actually have bills to pay and a car that is owned by you and not your parents. Get lost in a mosh pit, hurt your foot, and then have a valid excuse to skip out on work the next day. Or body paint with some slightly half naked girls. Take a Super Soaker to the crowd with little to no repercussions. There are a million and one ways to be a kid at Warped, so try them all and forget you’re responsible for just one day.
2. Help save the world, just a little. There are a lot of great charities at Warped that are hoping to enlist the help of youngsters all over to bring awareness to a cause. I’m not talking about PETA and the Vegan Warriors (though if that’s your thing, that’s fine), I’m talking about some interesting organizations who try to come up with fun things for you to see and experience each year. From the worldwide do-gooders at 1Love to the Wishbone Foundation, an organization that puts art programs into group homes for youths, there’s going to be something that you can come out of Warped Tour feeling good about.
3. Two words: circle pit. In the world of Moshing 101, Circle Pits are your beginner experience. And they’re kind of exciting. Being pressed up against sweaty, smelling bodies is not appealing to many people, which is why circle pits are the better option of the mosh. I don’t know why people have to run in a circle to metal and punk music, but it’s really kind of fun and at least you’re getting an amazing work out in the process.
4. Autographs, autographs, and more autographs. I don’t care who you are, whenever you see someone signing stuff, especially if it’s FREE stuff (see below), you’re inclined to at least ask who they are. Virtually all of the bands at Warped Tour do signings, and sometimes they’ll give you free stuff for them to sign. So even if you only like two bands on the lineup, you know you can at least get to meet those two bands. Or…maybe you could get things signed and sell them on EBay. I don’t know, but the choice is yours and the options are there!
5. FREE STUFF. This is kind of self-explanatory. There’s a lot of free stuff at Warped. Free CDs, free t-shirts, free sunglasses, free stickers, free FOOD, free condoms! Yes, free condoms. There’s about anything your heart can desire and more. There are some free things going around that constitute as junk, but for the most part the goods at Warped are gems. And if it isn’t free, it could be dirt cheap. Some of the coolest bands offer their CDs for as low as $1.
When you put all of this into perspective, Warped Tour can be a really amazing place. It’s considerably cheaper than the other music festivals out there, and can be just as fun. Check out our photos from Warped Tour 2012 (especially if you’re in one! Tag yourself!) to hold you over until this summer tour makes its way to your city.
Yesod Williams of Pepper (Photo credit: rob_moody)
Yesod Williams dishes on new album, tour with Cypress Hill. Good news boys, girls, Rastafarians, islanders, and party people. If you’ve been anticipating some new music from Pepper, then you may just be in luck this year. Fresh off their tour with Sublime with Rome and the legendary Cypress Hill, the Hawaii natives turned San Diego locals of Pepper are ready for “Pepper 2.0”, as they call it, and they’ve got a lot in store for you.
So if you didn’t get to see them on theirn tour stops in 2012, which included the Chula Vista Cricket Wireless Amphitheater where I met up and spoke with drummer Yesod Williams, then don’t fret! Because odds are your fall music forecast is about to get a little spicy. I can tell you from experience that Williams, bassist Bret Bollinger and vocalist/guitarist Kaleo Wassman never disappoint, and their rowdy live attitude is just as zesty as their band name.
Their southern Cali show got off to a bit of a rocky start as they were waiting nervously for the arrival of their bassist Bret, but lucky for them they were on tour with some of the nicest guys in the business.
“The craziest thing was today, Brett almost didn’t make the show.” Williams told me, when I asked him to divulge in any interesting stories from their tour so far. “Kaleo was teaching Rome [from Sublime with Rome] bass lines so that he could step in.” Which might have confused Pepper and Sublime with Rome fans just a bit, but definitely would have been an interesting story to tell.
Fortunately the mini disaster was diverted, Bollinger arrived minutes before their start time, the guys played a raging set that proved that even the oldest people in the audience could get up on their feet and dance, and I spoke with Yesod Williams backstage after all was sang and done. Williams dished on how the tour with Sublime with Rome and Cypress Hill was going, and he had all glowing reviews.
“I remember when ‘Hits from the Bong’ came out, I sat in my room with the tape and listened to it and stopped it and rewound it and wrote down all the lyrics for it.” Williams practically gushes over extraordinary act Cypress Hill (who, by the way, should be a must see if you haven’t seen them live already!) “And everyone’s so nice. There’s no hierarchies out here.” Williams even explained that “one of the Sublime crew guys is about to give me a tattoo on the back of my calf.” I had to commend all three Pepper members on their amazing hospitality — they really knew how to make a girl feel at home — so it’s easy to believe that the three bands rounded out a big, warm tour-family experience.
Bassist Bret Bollinger got away with being late this time, since the guys are now San Diego natives who also happen to really love this city. “San Diego’s definitely our second home. We started the band of course in Kona [Hawaii] where we’re from, and then we moved over here in ’99 and we didn’t know anything.” Williams said. “It was one of those things where we almost got raised in San Diego, as far as our music career goes.”
And their favorite Mexican food in San Diego? “It’s not open anymore, but there was a place in Oceanside called To’s, and it also kept us alive. When we first moved to California we had no money, but they had these really cheap bean burritos that we would order an extra tortilla with and it would basically feed us for two or three days.”
I was most anxious to get the details on future Pepper releases, especially because it has been nearly four years since the guys had a new release. “Everyone don’t worry!” Said Williams, already beaming with enthusiasm. “I promise to God that Pepper is going to have a new album.” It’s obvious that Williams is ready for some fresh blood, as he lamented, “It drives me crazy! I sometimes wake up at night like ‘God we have no new songs to play.'” — which may have been why the band opted out of playing their mainstream success “Give It Up” during their San Diego performance.
The trio is working with talented and diverse Matt Wallace (whom Williams affectionately called Matt Walrus), a producer who has dabbled in everything from Spin Doctors to Deftones to Faith No More, a real favorite of Pepper. Williams assured me that the album will be out “sooner rather than later”, since Pepper has been taking most of the year to work on this release.
When a band puts that much dedication into a recording, you know it’s going to have the attention to detail that is appreciated and loved by old fans and new fans alike. If you’re already familiar with Pepper, you may remember a really unique 3D tour video release created for the song “Drunk Girl“, on their 2010 EP Stitches — which even came complete with throwback red and blue based 3D glasses. (I still have my 3D Pepper glasses!)
Me, hanging with Pepper (from right: Yesod, Bret, Kaleo, and friend.)
“That was in 2010, we released the EP Stitches, and we went into it with the intention of making a full album. We got in [the studio], and were like….’I think four of these songs are ready, the rest aren’t.'” Now those additional songs are polished, and they are going on the new Pepper release that’s currently “95 to 98% done” according to Williams. “It’s so refreshing to have a new song to play.”
“When the new album comes out, we’re going to be hitting it hard.” Says Williams; but don’t worry, a band like Pepper is not all work and no play. “Making music and having fun is the main thing.” Williams adds, rounding out the idea that a brand new tour with brand new songs — and brand new rowdy experiences — is going to be the highlight of Pepper’s 2013.
This week’s Guilty Pleasure is just in time for the long Memorial Day Weekend. While I’m usually not one to jump right in to the dance and pop music scene, there are a few diamonds in the rough who prove that you can party and have a little musicality all at the same time. You’ve probably already heard The Cataracs from one of their many top singles, (“Like a G6“, “Bass Down Low“, and “Alcohol”, shown above, to name a few). Now you can catch producer and vocalist Niles “Cyrano” Hollowell-Dhar live at the Hard Rock Hotel’s Club 207 in San Diego. The best news is, the show is free if you add your name to the guest list.
Every location, every situation, every scene has a “Best Kept Secret“. This past week, a friend said something to me that inspired the idea for this new feature. Each week, I’m going to showcase an extraordinary musician or band that is already doing big and amazing things with their craft. There are superstars in our very own backyard and we might not know it yet. Don’t worry, I’ll keep you in the loop, starting with the indie rock quartet Social Club.
I can still remember the day my mother gave me Coldplay’s Parachutes for Christmas.I remember squinting at the CD and thinking “Who is this?” The same could be said for Maroon 5’s Songs About Jane. Those were my first interactions with bands who would turn out to be amazing forces in the music industry. Everybody has a start, and just like the humble beginnings and initial “ah ha!” moments from those acts, San Diego has a few musicians who could inspire similar feelings of revelation. Little did I know, Parachutes was going to be a this-album-will-change-your-life kind of moment, and Songs About Jane is still a staple on my playlists to this day.
With that kind of introduction, enter So Cal rockers Social Club, the first band that I will feature in this series. When I heard their music over a year ago, I already knew that they were more than just talent. They had the kind of star power and energy that captivates you from the first listen. And in that short year, Social Club has managed to only further perfect their unique take on indie pop rock fusion, as seen on their debut album Gamma Rays. The smart rhythm sensibilities of drummer Jeff Litzman pulls the elements of the band together seamlessly; attention to detail soars through keyboardist Thea Tochihara and bassist James Spratley is right in step with the rhythm, driving the songs forward in an energy that is both listenable and danceable. (And yes, I said listenable. It’s a word and it highly applies in this case!)
Add in lead vocals from John Levan, who sweetly croons in his upper register one moment while belting his heart out in the next, and you have a combination that I like to call sultry. Sultry is my absolute favorite quality in music, by the way. And Social Club is dripping with sultry goodness.
Their musicianship translates so well live that if you weren’t watching their instruments you’d swear they were playing the CD. And in this day and age, a band is only worth as much as it weighs live. Believe me, Social Club will not only command a stage, but also sound very good while doing it.
I would say I’m biased because I’ve had the chance to get to know these musicians over the past year, but I’m not the only one who sees and hears their talent. They were recently the winners of the MOFILM Texas competition, which sent them VIP style to headline an event at the South by Southwest Music Festival. But commendations aside, the music speaks for itself. Take a listen to Gamma Rays, available on iTunes, Amazon, and GooglePlay. Plus, you can get a free download of their single, “Slow Motion” via their website.
Check out this video for their song “Loosen Up”, produced by Helium Films USA.
Every once in a while the ideal band combination comes around, and that moment has graced So Cal once again. On May 8th, The New Limb will be warming up the stage for headliners Minus the Bear, and it will be a match made in catchy-guitar-riff heaven!
Comprised of five musicians based out of California, The New Limb is kind of like an indie folk child if that child ran off and had a wonderfully adventurous affair with a rock star. With just the right amount of upbeat velocity and driving drum beats, coupled with an occasional penchant for electric riffs, this group creates one of those “sounds of the summer” — their mix tape INCONSISTENCIES boasts the kind of songs that can go on dance floors and on road trip playlists, alike. Most of the band members take turns tossing around vocals, seamlessly melding their voices in a chant one moment, or crooning over keyboards and tambourines in the next.
They’re quickly becoming a new favorite, and their sound is the perfect complement to Seattle-based Minus the Bear.
Definitely not new to the indie music scene, Minus the Bear has managed to amass a bit of a cult following, based partly on their unique sense of musicality, syncopated guitar melodies, and of course, lead singer Jake Snider’s famous affinity for serenading baby-making lyrics. But don’t let the sultry subject matter fool you — in the long haul, Minus the Bear is ready to get you on your feet and dancing, keeping the dynamics fun enough for a party, but mellow enough to simply enjoy the beautiful composition of it all.
You can check out both bands live on May 8th at the UCSD Price Center Ballroom, the biggest indoor venue on the campus. Tickets are available at the UCSD Price Center Box Office, and online at https://ucsdboxoffice.com/.
The Material’s lead singer Colleen gives it her all each time she’s on stage.
In a sea of rock bands that are constantly pushing the line closer to pop, The Material prove that they’re here to stay in the alternative game. Being an independent band hasn’t stopped these San Diego locals from performing with the likes of Jimmy Eat World and My American Heart, and as I can tell from the interview we had at their CD release show earlier this month, it’s obvious that there’s even more rocking moments in store for them. They discussed everything about their new album, the interesting process of going into the studio and almost rewriting all of their songs, and what we can expect from them later on this year.
The entire band sat down with me at Soda Bar in San Diego and after comfortably taking up a whole booth, it was easy to see that this group of musicians has little to no problems working together. Colleen D’Agostino, the searing female vocals behind the Material’s music, had just the same edge as her male band mates, holding her own next to the guys as they discussed some of their experiences in the studio.
Guitarist John started off first, being very open and bright-eyed when he discussed some of the song writing and production processes of their latest album, Everything I Want to Say.
Guitarist Roy performing at Soda BarThe Material bassist Jordan performing at Soda Bar
“Our previous producer, [Brian Grider], was San Diego based, … and we did our first few records with him.” John was referring to the Material’s freshman and sophomore releases, Tomorrow and full-length What We Are, respectively. “He’s super meticulous, super talented, and it was very production heavy, … adding strings, adding synths, adding electric drums.” But anyone who compares the album What We Are with the latest release can probably pick up on a braver approach to their rock sound. John continues to say, “This record [Everything I Want to Say] we did with our friend Kyle Black, … and he came in to do pre-production with us which was the first time we’d ever done that. We had all these songs we thought were done and he came in and started switching everything up.”
It was a process that attempted to throw the five musicians for a loop, but paid off in the end with what could easily be described as a well-rounded, energetic, and rock-heavy album that offers versatility in each song. The Material succeeded in avoiding the dreaded “rock riff” curse of creating a handful of songs that all sound like one another — instead, they were able to do re-writes that gave each song a unique and palatable sound to the ear.
Lead singer Colleen explains that it wasn’t necessarily an easy task. “We just spent six months perfecting this song, we’re not changing it. But ultimately we realized [producer Kyle Black] wants the song to be just as good as we do. Thinking back we’re definitely really happy we listened to him.”
The group was in good hands, since Kyle Black has previously worked with Paramore, All Time Low, and Neon Trees, with most of those groups coming back for more. I asked the band if they planned to continue on the Road to Rock, or veer into the pop sound that many artists have defaulted to in this age, and John notes once again that their powerful rock sound is here to stay.
“With Dave Grohl putting out the Sound City documentary, it’s super inspiring to be like, ‘let’s just go and sound like five people playing in a room together.'” John says, after the group saw the lead singer of the Foo Fighters speak at his conference at South by Southwest.
Colleen adds that even though she came from a pop background, it’s inspiring to have a concrete sound and direction for the group. “Every album that we’ve done until now has been kind of straddling the rock and the pop thing.” She adds that her electronic side project, With Beating Hearts, gives her the opportunity to taste the best of both musical worlds. “I’m kind of channeling the pop/electronic stuff in that direction so I can allow myself to just focus on rock in [the Material].”
The Material is more focused than ever, and they rounded up a rambunctious group of fans and followers at their Soda Bar CD release show earlier this month. The crowd eagerly head-banged along with Colleen and the band as they played songs from their new album. The energetic force of a band this size is just a heavy reminder not to underestimate the power of the indie band. As Colleen told me that night, “We’re all on board to do something big and different and amazing.” And amazing it shall be!
Keep checking the Material’s main site and Facebook page for an upcoming music video for their latest release, Everything I Want to Say! The album is available now on CD and iTunes.
Video by Roman Arriola for SnowGlobe Studios. Follow Snowglobe Studios on Instagram, Vimeo, and Twitter.
What do you get when you mix the heavy, shredding energy of The Plastic Revolution and a burned out guitar pick? A very excited crowd and one bloody guitarist! Check out these photos I snapped of TPR live at the Soda Bar, where they opened up for alt rockers The Material.
Click photos to launch full-screen.
The Plastic Revolution shredded at Soda Bar, San Diego
The Plastic Revolution shredded at Soda Bar, San Diego
The Plastic Revolution shredded at Soda Bar, San Diego
The Plastic Revolution shredded at Soda Bar, San Diego
The Plastic Revolution shredded at Soda Bar, San Diego
The Plastic Revolution shredded at Soda Bar, San Diego
The Plastic Revolution shredded at Soda Bar, San Diego
The Plastic Revolution shredded at Soda Bar, San Diego
The Plastic Revolution shredded at Soda Bar, San Diego
The Plastic Revolution shredded at Soda Bar, San Diego
The Plastic Revolution shredded at Soda Bar, San Diego
The Plastic Revolution shredded at Soda Bar, San Diego
The Plastic Revolution shredded at Soda Bar, San Diego
The Plastic Revolution shredded at Soda Bar, San Diego
The Plastic Revolution shredded at Soda Bar, San Diego
Check out these photos of Imagine Dragons when they performed at their SOLD OUT San Diego House of Blues show.
With a band name that is oddly appropriate, Imagine Dragons churned out an energy packed show that was almost tribal in nature, backed by a “magical forest” of lights and stage design, which conveniently illuminated different colors to match the mood of each song. It was like being in a Pixar movie about tree spirits who play dance music and occasionally paint with all the colors of the wind. It may be hard to imagine, pun intended, so the photos below will do a much better job of showcasing the brilliance that is Imagine Dragons.